A Quote by Fred D'Aguiar
I can't stay engaged for years with a book unless it has feelings. It can't be an idea for me - it has to be a felt thing.
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At the moment, I'm toying with a new idea for a book, but fully engaged with writing screenplays, so the book idea - which needs empty space in my head - is barely formed yet.
I don't organize myself sufficiently to get an album of material together, book the studio, and go. I need to be kicked; I need to be forced physically to go in. That's how it works for me. I'll get a great idea in the house, and it'll stay there unless somebody comes and drags it out of me!
The idea that business is strictly a numbers affair has always struck me as preposterous. For one thing, I've never been particularly good at numbers, but I think I've done a reasonable job with feelings. And I'm convinced that it is feelings - and feelings alone - that account for the success of the Virgin brand in all of its myriad forms.
So, how to stay inside the world of entertainment without actually getting another job? I felt the only logical answer was to become a novelist. So I wrote the first book - driven by some very real feelings of desperation - and it worked.
I've discovered over the years that being subject to both the adoration and the vilification actually makes me more disciplined. It makes me understand that it's the idea of writing a great book that propels me now, whereas it used to be the idea of success.
One thing has always been true: That book or that person who can give me an idea or a new slant on an old idea is my friend.
You have no idea what it is to have anybody wonderful fond of you, unless you have been got down and rolled upon by the lonely feelings that I have mentioned as having once got the better of me.
Suspense is one of the ways you persuade a reader to become engaged and stay engaged with your work.
Feelings come and go, unless you don't feel them. Then they stay, and hurt, and grow pear-shaped and weird.
How could you have guessed?” Miserable though Will was, he felt free, as if a heavy burden had been displaced from him. “I did all I could to hide and deny it. You—you never hid your feelings. Looking back, it was clear and plain, and yet I never saw it. I was astonished when Tessa told me that you were engaged. You’ve always been the source in my life of such good things, James. I never thought you would be the source of pain, and so, wrongly, I never thought of your feelings at all. And that is why I was so blind.
What a person loves at 20 may seem stupid at 35. That doesn't mean the book was stupid, it means that the time when it spoke to the reader is past. So . . . I'm cautious about rereading favorite books. I hate to spoil the good feelings they created. Keeping the good feelings is more important than rereading the book. Moving on is a good thing.
If I were stranded on a desert island, the one book I would have with me would is the Bible. There are enough stories in the Bible to keep you engaged for years.
Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.
I'm trying to get in the habit of, you know, picking up a book and learning how to write my feelings down, not my feelings but my thoughts, about things, and hopefully I'll moving toward the writing and directing thing soon.
As long as I stay engaged with everybody else, then I'll create more comedy. It's just when I shut off and stay at home... What helps me is just to keep moving.
The system [of thought] doesn't stay with the difficult problem that produces unpleasant feelings. It's conditioned somehow to move as fast as it can toward more pleasant feelings, without actually facing the thing that's making the unpleasant feeling.
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