A Quote by Fred Durst

I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.
Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.
I'm an actor's director. I love it when talented actors can bring characters to life.
Mads is such a talented actor - it's almost like he wears his emotions on his sleeve, but not all the time - when he decides that he needs to, he has such access to his emotional life and it is just really incredible. He can do everything with just his eyes.
'Zootopia' features such a large and diverse range of characters - one of our biggest casts ever for a Disney Animation film. We needed talented actors who could help bring these animals to life.
I'm not afraid to say it - I'm proud to be from a nation that wears its heart on its sleeve and isn't scared to show its feelings.
I like to cast actors I admire, one's that are talented. Each one will bring something new to the part. This play has been done thousands of times and now certain characters are too familiar.
You must create the character's internal life. What do I mean by internal life? I mean the thoughts, feelings, memories, and inner decisions that may not be spoken. When we look into the eyes of actors giving fully realized performances, we can see them thinking. We're interested in what they're experiencing that may never be spoken, that quality of nonverbal expression - which is as much a part of the characters as breathing and as real as what they say and do. This is their internal life. It helps us believe in the characters and care about them.
Before you start production, you have characters you have created without actors in mind, then all of a sudden you've got actors. They bring an enormous amount in creating these characters, and creating the dynamics between the characters that you've written.
I like the superhero comic books, and I like to see what the actors do creatively with the characters and how they bring these superheroes to life in the movies.
You have to have Aquaphor, because you don't want a crusty, dry mouth, and this, in my opinion, is the best. It wears well, it's a great base for any type of lip gloss, lipstick, anything like that.
The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.
For me, what is important is to bring the inner life of these characters - their strengths, contradictions, anguish and triumph - alive.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
I think I'm a part of all the characters I play, definitely at different times in my life. In real life, I'm kind of a tomboy. I like to read a lot I like watching T.V. I don't think I'm as interesting as my characters, but I like doing what I do.
I think the love scenes are very powerful and they're not trying to simply show the bodies of the actors but trying to reflect the inner feelings of the character so it's easier in that way.
It takes awhile for writers to get to know actors rhythms, not just as actors, but what they bring to the characters. I think it takes a few episodes for the writing room to catch up to the actors and vice versa.
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