A Quote by Fred Durst

It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.
No matter how much you plan for it, the real thing seems curiously, well, unreal.
Sometimes films might not work, but you as an actor should keep working. Because no matter how much you panic about how your film didn't work, eventually, when you step out in the real world, there are people who value you as an artist.
Even in comedy, you have to be real. It's all about being real. It's how real can you be? That's the challenge. How much are you willing to take on for your character?
I have people say that they love how I keep them off balance as to what is real or not real about pretty much everything I write. I think it's an accurate description of how I feel every day. I can't tell what's real and what's not anymore. I think that's what makes art.
What I thought was unreal now, for me, seems in some ways to be more real than what I think to be real, which seems now to be unreal
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
Nevertheless, no matter how much they killed themselves with work, no matter how much money they eked out, and no matter how many schemes they thought of, their guardian angels were asleep with fatigue while they put in coins and took them out trying to get just enough to live with.
Real isn't how you are made. It's a thing that happens to you. Sometimes it hurts, but when you are Real you don't mind being hurt. It doesn't happen all at once. You become. Once you are Real you can't be ugly, except to people who don't understand. Once you are Real you can't become unreal again. It lasts for always.
Being real is what keeps me humble. It doesn't matter how much money I make or how much I accomplish. What's critical is staying real to myself and keeping my feet on the ground. That's what helps keep me going.
While visiting places in the South with my heart really open, I realized how important people in certain geographical spots were to me, what they symbolize, how I'm still connected to them and how much they are a part of my ancestry, both musical and real.
Attention for children is so much about input, and the brain can only filter so much - I don't know how many millions of messages that come through the brain, and we can only filter so much through it.
The first wave of the Internet was really about data transport. And we didn't worry much about how much power we were consuming, how much cooling requirements were needed in the data centers, how big the data center is in terms of real estate. Those were almost afterthoughts.
Tarantino is the coolest damn guy; he's just so much fun to work with. He might be the best director I've ever worked with. He just seems to know how to do it and he knows how to make you feel good about it. He's having so much fun you start having fun. You can't help it.
On the 'Today' show, I feel comfortable because I get to interact with people. I love that interaction. I love hearing other people's stories. I would much rather have that human interaction so it feels like a real conversion than just standing there and demonstrating things to the camera.
Instead of asking 'How much damage will the work in question bring about?' why not ask 'How much good? How much joy?'
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