A Quote by Fred Frith

...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
Then suddenly Jack was a changed boy. Something wonderful had happened to him, and it had made him different. It sometimes happened to people that they see or hear something quite wonderful and then they are never altogether the same again.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours.
We seldom know what we're hearing when we hear something for the first time, but one thing is certain: we hear it as we will never hear it again. We return to the moment to experience it, I suppose, but we can never really find it, only its memory, the faintest imprint of what really was, what it meant.
It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.
Man, I'm 31 years old and a husband with four kids; I hope I'm no thug. I hear all those negative things and don't hear anything positive. I think that's all those people feel... that way that's all they hear about when you hear Allen Iverson did something negative or something.
I could be inspired by something I see or something I hear and write down or send to a friend or a writer or whether I have instrumental tracks or just a couple chords recorded on my phone. If I have a couple sessions set, I'll go into the studio with the people I'm lucky enough to call my friends because I feel like I can talk to them and then suddenly our conversations turn into these songs you hear on the radio. I still don't understand how it happens but I talk about my experiences and my situations and everything and then they turn into these amazing pop songs.
If I hear something's not quite going right, then I'm there quicker than if I hear something's going wrong.
The whole reputation of being a rock guitar player, I could really care less about it. Still, when I hear new groups today I do occasionally hear something where I think... ahh, I've heard that lick before.
I feel like there's something terrible and wonderful and amazing that's just beyond my grasp. I have dreams about it. I do dream, by the way. It hovers over me at odd moments. And then it's gone. I feel like I'm always on the brink of something that never arrives. I want to either have it or be free of it.
When you wish for so long that you could hear something, and then suddenly, with no warning, you do, it is like a lightning strike and rain on parched ground at the same time. You're stunned, but you cannot hear enough.
Even now, at 82 years old, if I don't learn something every day, you know what I think? It's a day lost. Now, I don't practice every day. I just take the guitar, swear at it. But I should be swearing at myself. But I fool with music. I'm doing something musically all the time. And my ears are wide open for anything I can hear.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
Something you hear a lot is that feminism dead. But if feminism is dead, why do people try so hard to kill it? Something just isn't making sense there. So I think when young women hear like, hey, someone's trying to get something over on me, you know, someone's trying to deliberately keep me away from a movement that could make my life better, I think that really resonates with them.
The music that I make is built on layers upon layers of musical ideas. I want to keep it fun and fresh to where listeners won't get everything from just one listen. They can go back to it months, weeks, or even years later and hear something that they didn't ever hear before. That's what it's all about.
It felt like something was calling me to Israel, and that I had to go there to discover it. I don't know how else to explain it. In my head, I was thinking it was something about music, something I needed to hear. So I booked a plane ticket and left the next day.
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