A Quote by Fred Frith

Well, I think music for kids is never anything but experimental is it? — © Fred Frith
Well, I think music for kids is never anything but experimental is it?
I owe a lot to my parents, because they kept no genre off limits. Music was always playing in the house. They never told me to be quiet, turn the music down or anything like that. So I felt pretty free and experimental as a kid to kind of figure out my own voice.
I think everything's experimental whether you like it or not. I think that people who do generic pop are experimenting with cliches. It's no less than I am experimenting with noise or unknown music - until you say, 'This is my song, or this is my composition' - it's all experimental, whether you like it or not.
Ironically, my tastes aren't that experimental, and I wouldn't describe my music on the surface as being overtly experimental, either.
Traditional songwriting, to us, is where the experimental nature comes in. We're all involved with so much outside activity with really hardcore, experimental music-making.
I think kids in Europe have developed a deeper knowledge of music and of black music in particular. You go to Europe, and these kids know about all this obscure funk and soul that kids over here wouldn't know. I think it's getting better in the States, though, with the age of the Internet.
I didn't think it was fair to my music to label me as the daughter of somebody - I didn't think it described me very well and I didn't think it had anything to do with my music.
I think the most exciting thing is that you expect people our age to know the music, but actually a lot of kids know the music, and if anything is left, we have left really good music, and that's the important part, not the mop-tops or whatever.
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
I liked rock music going back to the '60s, but I never ever had any desire to be a rock musician and when I started doing a band it was experimental music.
I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.
I'm never uncomfortable with anything I do. I never feel like I regret anything. I love music, you know? All kinds of music.
In the last few years I've been listening to jazz more than anything else. I listen to a lot of world music and experimental here and there.
I hope that people know me well enough and realise that I would never do anything to harm the country or anything improper. I never have. I think most people who have dealt with me think I am a pretty straight sort of a guy.
I think I'm still trying to be experimental on everything I ever do, but it's not as obviously way-out and experimental as what we were.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
I don't think quantitative easing is deliberately misleading, but I do think it's suspiciously bland and reassuring. It doesn't sound like anything big, experimental, scary and strange - which is what many economists think it is.
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