A Quote by Fred Gwynne

When I was a teenager, I wanted to be a portrait painter. As I got to be older, I realized that as a portrait painter I wouldn't be able to support a goldfish. — © Fred Gwynne
When I was a teenager, I wanted to be a portrait painter. As I got to be older, I realized that as a portrait painter I wouldn't be able to support a goldfish.
every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
The painter's portrait and the physicist's explanation are both rooted in reality, but they have been changed by the painter or the physicist into something more subtly imagined than the photographic appearance of things.
If I had gone to art college and everybody was being a conceptual artist, I probably would have wanted to be a portrait or landscape painter.
I'm related to the portrait painter George Romney.
My real father was a portrait painter. I went to a lot of auctions as a kid and galleries.
Listen: if I am a painter and I do your portrait, have I or haven't I the right to paint you as I want?
What a business is this of a portrait painter! You bring him a potato and expect he will paint you a peach.
I'm an odd portrait painter in that I'm not just interested in human faces. I consider almost all of my paintings to be portraits.
The painter paints his brushes black, Through the canvas runs a crack, Portrait of the pain never answers back...
I was hoping to do an impressionist painting, but I wanted a good likeness and I wanted to create a feeling of the lady as a person, as a human being rather than as a figurehead for the monarchy and a pomp-and-circumstance sort of formal portrait. I wanted more of a relaxed portrait.
Someone asked me when it was that I felt confident enough in my writing that I could rely on it as a career. The truth is, I never have. I'm always on the hunt for second, third, or fourth careers. Private detective and cinematographer were previous career choices, but now that I'm older I think I'd be a good portrait painter, rug merchant, or florist.
I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas.
Growing up, my mom was a painter, my best friend was a painter, my husband is a painter. For a long time I knew artists, and I didn't know any writers.
If I hadn't been a designer, I'd have been a painter. I began as a painter and learned the craft of pottery in order to support myself.
The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.
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