A Quote by Fred Gwynne

I decided to take a stab at acting. I entered the American Academy of Dramatic Art, where one teacher told me I'd never make it - I was too tall. — © Fred Gwynne
I decided to take a stab at acting. I entered the American Academy of Dramatic Art, where one teacher told me I'd never make it - I was too tall.
I had a teacher/director at the Royal Academy of Dramatic Art, where I trained for a year, named Mary Duff, who taught me practically everything I know.
Well, I went to the American Musical and Dramatic Academy - I went to the conservatory - for acting.
When I got into the Royal Academy of Dramatic Art, a doctor told me to give up the course as I'd be totally deaf within a couple of years. But I refused to give in.
I was a very sickly kid. While I was in the hospital at age seven, my Dad brought me a stack of comic books to keep me occupied. And I was hooked. When my eighth grade art teacher, Mr. Smedley, told me he thought I had actual art talent, I decided to devote all my efforts in that direction in the hope that I might someday get into the comics biz. I became an art major, took every art class my school had to offer. In college, I majored in Advertising Art and Design.
When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Juilliard and the National Institute of Dramatic Arts in Sydney, Australia.
I Googled every actor from my favorite film 'Annie.' Albert Finney was also from Manchester and he went to the Royal Academy of Dramatic Art - so I auditioned there, too.
When I landed in L.A. in early '89, William Morris decided to take me on to see if I could get any jobs. I was cast in a TV movie called Protected Surf, and made $30,000 in four weeks, and I decided I needed to take acting seriously, because I had never made that much money in a year, much less four weeks. That's when I decided I thought I could make a career out of it.
Shortly after I started working as a doctor, I decided to listen to the voice inside me before it was too late. It was now or never, so I decided to explore acting.
I've never done theater professionally. But I went to the American Academy of Dramatic Arts, so I did some theater there.
Acting was not for me. They were saying, you are too beautiful, you are too ugly, you are too plump, too tall, too short. You cannot believe the way you are judged.
I was studying communications and acting, and I decided over the summer that I wanted to work on my acting skills and perform in a pageant. I didn't have any other way of practicing, so I entered the Miss Rhode Island pageant. I ended up wearing a dress that was a $20 rental. It was too short, and there was a hole in the back of it.
We had a teacher in school who would organize dramatic shows. And she decided to put on a show about - I don't know whether you remember - 'Ferdinand the Bull', the comic script. However, she decided, you're going to sing Ferdinand, me, as a role.
I went to school at the San Francisco Art Institute, thinking I was going to become an art teacher. Within the first six months I was there, I was told that I couldn't be an art teacher unless I became an artist first.
Quite honestly I never had a desire to be an actor. I tell people, I did not choose acting; acting chose me. I never grew up wanting to be an actor. I wanted to play football. In about 9th grade an English teacher told me I had a talent to act. He said I should audition for a performing arts high school so I did on a whim. I got accepted.
I used to be a chemical-engineering student, but I started studying acting, and I went for a cattle call, up against hundreds of people. They tore me down because I was too tall. They said "How tall are you?" "6'5"." "Next."
I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.
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