A Quote by Fred Haise

My biggest emotion on Apollo 13 after the oxygen tank explosion was disappointment that we had lost the landing. — © Fred Haise
My biggest emotion on Apollo 13 after the oxygen tank explosion was disappointment that we had lost the landing.
When I was around 13 or 14, and I was in a private school, I had a Frisbee that had the name Apollo on it. And I'd walk around with it. People would say, 'Hey, there's that Apollo kid.' That's where the name generated from.
I got the idea for Netflix after my company was acquired. I had a big late fee for Apollo 13. It was six weeks late and I owed the video store $40. I had misplaced the cassette. It was all my fault.
There's a historical milestone in the fact that our Apollo 11 landing on the moon took place a mere 66 years after the Wright Brothers' first flight.
When it kind of went to 'Street Fighter', where you had to push 13 buttons with all 13 of your fingers and ripped the spine out of somebody, you know, violent games lost the women. Complexity lost the casual gamer.
After 13 years of hard landings in gymnastics, one ski run had delivered the biggest injury of my career.
I cycled on a crew assignment as the backup commander on Apollo 16 and would have flown Apollo 19 on a return mission to the moon. However, the last few missions of the Apollo Program were canceled for budgetary reasons. So I lost my second opportunity to land on the moon.
I like acting for now. But after seeing Apollo 13, what I really want to do is to be an astronaut. I'm dying to go to a space camp next summer!
Literally, my earliest memory, my earliest vivid memory, is the Apollo 11 landing on the Moon. Yeah, I was in fourth grade, and I was just so captivated. And I think you'll find a lot of space scientists of my generation will say the same thing. Apollo was a big event for them.
I remember in 1967, when there was that terrible fire on NASA's Apollo 1 rocket that killed three astronauts, my father made pure oxygen and we lit this tiny cup and burned it. Suddenly, we had an unbelievable jet and a fire. You just could see exactly what had happened.
I was eight years old when I saw the Apollo moon landing in 1969. I was riveted.
You said you'd kiss me if I lost Tank." - - "You want me to kiss you?" Oh boy. "You were happy I'd lost your puppy?" He was looking like he was still thinking about smiling as he glanced down at Tank, tucked under his arm. "No. That would make me an asshole." Right.
When I was 13, I came back from summer camp - summer of '74 - and my mother had had an accident during surgery and was in an oxygen tent in a coma. It was so traumatic. My parents had been divorced for six or seven years at that point, and it was sort of the seminal event of my life.
During the last 35 years, the artists multiplied, the public grew enormously, the economy exploded, and so-called contemporary art became fashionable. All these parameters changed the art world form its previous aspects and fundamentals - the explosion of museums and institutions, explosion of Biennales and Triennials, explosion of money, explosion of interest, explosion of artists, explosion of countries interested in contemporary exhibitions, explosion of the public. Not to see that is to be more than blind.
By far my most perilous assignment was covering a tank car explosion.
The 'clean energy' challenge deserves a commitment akin to the Manhattan project or the Apollo moon landing.
The main emotion of the adult American who has had all the advantages of wealth, education, and culture is disappointment.
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