A Quote by Fred Hammond

Women are a key part of the sound of the groups that accompany male singers like Kirk Franklin, Israel Houghton, and myself. — © Fred Hammond
Women are a key part of the sound of the groups that accompany male singers like Kirk Franklin, Israel Houghton, and myself.
For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.
I really like female singers; I've got zero interest in working with male singers. Any male voice I need to do, I can do.
People like Clyde McPhatter who came out of the black churches - like Sam Cooke and Aretha Franklin - were all church singers who became great pop singers because gospel singing is very close to the blues.
I grew up listening to Beethoven and old jazz singers like Billie Holiday, Nina Simone and Anita O'Day. But those were, like, the only women I listened to - I hated women pop singers.
There's a lot of female singers and I don't want to dismiss them, but the male - and I have to be careful - the black male voice in jazz, whatever you say, is an important voice, because there's a tradition of the music that should be touched on, there's a sound that should be touched on.
I joined a very male-dominated profession back in 1986. I wanted to work with big multinational Fortune 500 companies, but you don't come into the firm and automatically get those. So, quite frankly, a key to my success was that I found male mentors and male sponsors. I think some women are afraid to say that.
There'd been studies over the years supporting the proposition that groups composed exclusively of women usually made intelligent decisions, that exclusively male groups did a bit less well, and that mixed groups did most poorly of all, by a substantial margin. It appeared that, when women were present, testosterone got the upper hand and men took greater risks than they might otherwise. Correspondingly, women in the mixed group tended to revert to roles, becoming more passive, and going along with whatever misjudgment the males might perpetrate.
I think the best singers in the world, historically, are American. Britain's got its fair share, as well, but some of the greatest singers, ever, whether you're talking about Whitney Houston or Mariah Carey or Aretha Franklin, are from the legacy here.
With my previous record deal, it'd be like, 'OK, so I have this track then, EMI - do you know any singers, maybe? Do you have any singers on your little label there?' And funnily enough, they didn't. But I prefer finding unknown singers myself anyway.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
I didn't grow up listening to musicals. I sang coritos or Spanish spiritual songs and was raised on gospel singer Kirk Franklin.
I convinced myself economic empowerment of women was going to be key, especially in a country like this where most women didn't go to school.
It's no secret that women's cricket needs India performing on the global stage, and any male support is welcome - with key voices like Sachin Tendulkar stating that women's cricket is critical to the future of our game, hopefully people will listen.
The first artist I really loved was Stevie Wonder. That opened the doors to other soul singers like Ray Charles and Aretha Franklin.
Singing doesn't have to mean that you sound like Stevie Wonder. I love to sing. I'm not the greatest singer in the world. But, a lot of my favorite singers aren't the greatest singers in the world.
But I'm really into old music - bluesy, soulful singers, like Etta James, Ray Charles, and Aretha Franklin. I wouldn't have minded being born in the 1960s!
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