A Quote by Fred Hampton
If you ever think about me, and you ain't gonna do no revolutionary act, forget about me. I don't want myself on your mind if you're not going to work for the people.
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Not to any really influential effect, but certainly there have been comments that have surprised me. It's surprising sometimes to get particular perspectives on your work, and it's enlightening sometimes to know that non-writers and readers out there have certain assumptions about everything that I both want to keep in mind and want to forget about why I write, and about the connection between me as a private person and the stuff that I think about on the page.
If something is in my mind, I can easily forget everything else and maybe forget about other people. I'm trying to change it's not that I'm that bad. I want people to want to work with me.
No one could ever hate me as much as I hate myself, okay? So any mean thing someone's gonna think of to say about me, I've already said to me, about me, probably in the last half hour!
There's probably a couple someones that are gonna hear the songs and go, 'I think that might have been about me,' or, 'I know it's about me.' I do play that pretty close to the vest. I don't think I'm ever gonna write a song and drop somebody's name in it.
Theories, for me, are just about freeing your mind. It doesn't mean the theory is going to work like a scientific theory works. It's about freeing your mind and making you think a different way.
And then as I got older, see, I think a lot of times with comics, your life kind of permeates your act. Whatever is happening in your life is what's going on on stage. So if you're angry in your life, then that's going to be on stage. If you're looking for the guy that's just going to make you laugh for an hour and forget about, that's me.
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
As an athlete you have to think about yourself a lot. Think about your body, think about your mind, staying healthy, staying strong, your goals. So it's always about me, me, me, me.
I realized that if I went snowboarding, you can't think of anything else when you're snowboarding. You can't hesitate or think about anything other than not falling off and breaking your neck. If you want a holiday where you're not gonna think about work and you're not gonna think about anything, snowboarding is the best way to do it. Or skiing, I guess. I don't ski, so I don't know.
You're not going to say anything about me that I'm not going to say about myself. There's so many things that I think about myself; if someone really wanted to get at me, they could say this and this and this. So I'm going to say it before they can. It's the best policy for me.
It's kind of a collaborative relationship. Westworld requires the investment of the people watching, and that's what I love about it. It changed my life. When I read the script, I was like, 'This is going to change the way I think about my own life. The way I see myself, the people around me, and the way I choose to exist.' That's what great material does. It transcends just being pop cultural entertainment, and actually involves the mind. It's really fun, and when I see the reactions and theories it makes me really excited. That's why I act.
It's tempting to think, 'This is silly. I'm an artist. I care about my work, my work is first. I don't care about what kind of dress I wear... That's so secondary to me.' But if you care about your work... then you need to take this part of it just as seriously as you would going into an audition and going into work.
I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
I don't get in vote in whether or how people remember me when I'm gone. It's really dangerous to sit around and worry about it too much, for me. It gets me way too in myself to worry about what people are going to think about me when I'm not around anymore.
The common misconception is that we create films for ourselves. And I really don't do it for myself. I get stopped in the street by people saying, "Do you mind if I say this about your work?" Do I mind? I'm delighted. I do it for you. It's not for me. It's my living, yes, sure.
I had heard everything, Larry gonna knock me out, he gonna beat me, this and that. I got so sick of that. I had a little talk with myself in my bedroom and I said, Don't think about getting in the ring with Larry Holmes, I mean, Don't forget Larry Holmes is getting in the ring with you. You're champ for so many years. And just do what you're best at. What I am best at was not letting anybody have their way with me in the ring.
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