A Quote by Fred Kaplan

I want to contribute to the culture and keep great writers alive by telling the stories of their lives. — © Fred Kaplan
I want to contribute to the culture and keep great writers alive by telling the stories of their lives.
I want to work with great directors and tell great stories - storytelling is the one great love of my life, and it means so much, and we have the ability to change the world by telling stories, and I want to keep doing that.
We are our stories. We tell them to stay alive or keep alive those who only live now in the telling.
Writers shouldn’t underestimate the difficulty of what they’re doing, and they should treat it with great seriousness. You’re doing something that really matters, you’re telling stories that have an impact on other people and on the culture. You should tell the best stories you can possibly tell and put everything you’ve got into it.
I don't think it's going to be possible for the next generation of writers to tell stories without telling stories about telling stories.
Writers are stewards of the culture. Publishers, librarians, bookstore owners. We're all in this together. To write books that are gripping, important, that people want to have, is to keep publishing alive.
Everyone's always telling themselves stories about their lives, writers or not.
I want to be scared. I want to keep taking insane risks. I want to be scared because you're going to grow through that whether you want to or not. I don't want to play the same guy. I want to keep throwing curveballs to you guys and keep telling stories.
The secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably... in the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
Hollywood has its own way of telling stories. I was just telling stories that I was familiar with. And it's what I want to do in the future: I want to take my audio cinema and put it on the screen.
My life is storytelling. I believe in stories, in their incredible power to keep people alive, to keep the living alive, and the dead.
Life is a story. You and I are telling stories; they may suck, but we are telling stories. And we tell stories about the things that we want. So you go through your bank account, and those are things you have told stories about.
We have to hear the stories of women at all ages of their lives in order to really present a picture of what it felt like to be alive in our time. That's what our job is as writers is to present that and create it. Our job as writers isn't to make as much money as we can. Our job is to create a record of this time. That's why if you leave out women and the stories of women, we failed at our mission. All of us. Men and women.
In America, I am brown; I'm 'of colour', so I would be offered Latin roles, and I've fought against that. I don't want to be put in a category, to be just offered the same sort of thing. For me, it's all about different roles, telling the stories of the great writers.
Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories.
I wish we could all have a telling room, a place where we go to tell our stories and listen to the stories of others; in our culture, the telling room might be around the dinner table or in the car on a long trip.
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