I don't night-club, don't get into fights or scandals, don't own a yacht, don't play the horses, don't wear plaid overcoats, don't go to Hollywood parties, don't own a motorcycle, don't run back and forth to New York, don't go in for politics.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don't go to Hollywood, you go straight to New York and work in the theater. So that's what most of the people I knew did.
When I was 16, I was in Boston and some friends said, 'You want to go to New York?,' I went with my roommate... These guys said, 'We're going to this club. Just don't go in the washroom.' It was CBGB. I had no idea what it was or the history of all the music. All I knew was this was my first 21-and-over club and I managed to get in!
New York is very intense. Every time I go back to New York, I'm starting from scratch. You could have all these achievements - records, a tour - and then you get home and get back to the basics. It whips you into shape.
I raised you to be a thoroughbred. When thoroughbreds run, they wear blinders to keep their eyes focused straight ahead with no distractions, no other horses. They hear the crowd, but they don’t listen. They just run their own race. That’s what you have to do. Don’t listen to anyone comparing you to me or to anyone else. You just run your own race.
Whenever I'm hired to do appearances I always get to take one or two friends with me. I'm away so much I'd get lonely if I didn't. My BBF would get to go jet-setting with me to amazing parties too, like the ones on P Diddy's yacht. Apart from me, he throws the best parties ? they're so A-list.
Why on earth is the 'New Yorker' publishing puff pieces about pretty girls who go to parties? Does the 'New Yorker' ever run photos of cute boys just because they're cute and they come from money and they go to lots of parties?
There's a club if you'd like to go, you could meet somebody who really loves you,
so you go and you stand on your own,
and you leave on your own,
and you go home and you cry and you want to die.
Don´t be unnecessarily burdened by the past. Go on closing the chapters that you have read; there is no need to go back again and again. And never judge anything of the past from the new perspective that is arriving, because the new is new, incomparably new and the old was right in its own context, and the new is right in its own context.
If you want to be in the automotive business, you go to Detroit, and you figure it out. If you want to be in entertainment, go to where it's at. Go to Hollywood, go to New York.
I leave Hollywood, I go somewhere else and make some music, and then, when I have to go back to work, I try and take as much that I get from outside Hollywood back with me.
I did a play in New York at the public theater, a Shakespeare play, and M. Night Shyamalan, who is the writer/director of 'The Village,' came and saw me in the play and asked to go to lunch afterwards.
Believe me, it jabs you. When you're on the side of buses and New York loves you, you love to go out there every night. It's like a race. Curtain opens, out you go, and New York is yours.
I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it.
I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it
When I go back to New York all these years later, I'll walk down Seventh Avenue, and I'll hear, 'Yo, Oz!' In New York, I get recognized for that all the time.