A Quote by Fred Savage

I wasn't some sort of ingenue. I always saw myself as a lifer in this industry, and working as an actor on 'Wonder Years' was a first act. — © Fred Savage
I wasn't some sort of ingenue. I always saw myself as a lifer in this industry, and working as an actor on 'Wonder Years' was a first act.
If you're an actor and you don't act for a long time you sort of think, I wonder if I can still do it.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
The dove act? I'm still working on it. I don't think it's perfect yet. I got my first pair of doves when I was 14 years old. That was the beginning of the formation of that act. So it's been 24 years now that I've been working on it.
I've always had a natural affiliation with nature. If I wasn't an actor, I'd be some sort of biologist working in the field in Africa or something.
Sometimes, you run into trouble as an actor when you're not working with someone who is collaborative or doesn't bring themselves to the piece, and you sort of have to start worrying about yourself and protecting what works for you in the scene. I never had to do that in this movie because it was sort of this trapeze act.
There are definitely roles within this industry that are industry-related, but to be a good actor, you really have to want to act first. At the same time, my goal was never to go to Hollywood to make movies. I think if you come here with that attitude, then you've missed a few steps.
I never saw myself as a character actor or a lead actor; I've only seen myself as just an actor.
If you're working in close-ups, then an actor is only able to act with his head. I like an actor to act with their entire body.
I've always created solo work. When I first came to New York I was working in a few different areas; I was working as a drummer, a vocalist, an actor, and a dancer. I had gotten picked up more on the music side and that sort of went, and that's where I found my community in New York and that's the path that I went down.
Cosmopolis is the movie of my life. I didn't consider myself an actor before, even if I had 10 years of acting behind me. I always felt like a fraud, and inappropriate. I doubt a lot. David Cronenberg gave me confidence in myself. He changed my way of acting and thinking in this industry.
I've never been interested in playing the boring ingenue. I always wonder: Who's her weird friend? I like the oddballs.
I've always just simply seen myself as an actor. And I believe that it serves me well to just think in terms of my craft. If hypothetically, I saw myself only as a sex symbol, or as some other limited stereotype, I think I would feel like a complete failure.
I always saw myself as a character actor.
I always thought of myself as some sort of athlete until I started playing golf a couple years ago.
Suddenly you're the mom, or you go from ... You're not an ingénue, you don't want to play an ingénue, but it's like that line in The First Wives Club [1996]: "There are only three ages for women in Hollywood: babe, district attorney, and Driving Miss Daisy."
I always have sort of been someone who has contradictory parts, and I haven't tried to uncomplicate myself. I've sort of let things seem contradictory, and sometimes it really confuses people. I don't know if it's working all the time, but I'd rather do that than try to sell myself as one thing or another.
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