A Quote by Fred Savage
I love how restaurants work. The energy, the pace, and the idea of working under budgetary restraints reminds me a lot of sets.
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If we lean into what we love instead of soldiering toward what we 'should,' our pace quickens, our energy rises, optimism sets in. What we love is nutritious for us.
I've got an odd, negative bond with C. Montgomery Burns. He reminds a lot of people of bosses they've worked for. He certainly reminds me of someone I'm working for.
I can take strange detours and linger in places and do things that have no budgetary restraints.
The tendencies of the times favor the idea of self-government, and leave the individual, for all code, to the rewards and penalties of his own constitution, which work with more energy than we believe, whilst we depend on artificial restraints.
The rhythm of the water, the sunset over the horizon, and the freedom of the ocean reminds me of how simply beautiful life can be. When you move too fast you can miss the things that mean the most. My love for th ocean reminds me of my love for the snow, and my love for life. So enjoy all that life has to offer.
I'm sketching ideas. They're a completely different way of working than working with editors at a magazine where you're always working with permission; approval. I'm willing to make a gentle separation. I still need to do that work since I enjoy it. It gives me access to a lot of energy in life and culture. But also, there's a part of me that is dark, sarcastic, funny. Unpredictable, even naughty.
I run a fast pace on my sets, man. I like the energy of the scene to be the energy on the set. I think it affects the actors, and I think it affects the crew. There's that sensation like you're really shooting it for real, like in a documentary.
I have a lot of family in South Africa, but I grew up in California. I feel like my name keeps me connected to a long line of people that have been through a heck of a lot. It reminds me to stay grateful, and it reminds me to try and step my game up if I'm slacking.
I am thrilled that DDLJ has beaten all records, Shah Rukh Khan and I share a close friendship that translates onto the screen. We have such fun working together. Shah Rukh has a great sense of humour. He invests incredible energy into his acting. He reads a lot. I share all these with him. I love books. I love his style of working and abundant refinement. I love him to death and would like to work with him again.
I can't speak in too much detail about a book or story I'm working on because I find that it takes the energy out of my writing. When I begin to work, it's like a soda bottle that's been jostled before it's opened. There's a lot of pent up energy in there. I have to let it out slowly, carefully, so that I can turn it into a written work.
I am so grateful for my physical therapist, Teresa England, who taught me to respect the process of recovery. Healing is sometimes slow, and any pace but fast was alien to me. To me, the idea of patience and gradual progress was a very foreign idea. I truly learned patience from this woman, and how to appreciate the smallest signs of improvement.
My dad was the force behind me early on. He was just infatuated with baseball. He was the one that basically taught me how to play the game. He gave a lot of his time working out with me, practicing and taking me to a lot of different games. It was hard work between both of us.
There are certain things that make restaurants work and a certain kind of DNA that people who excel in restaurants need. But it's a lot like life, in the sense that you get out of it what you put into it.
It's cool for me because I'm a director, but I'm also a teacher. I'm a lover of cinema, and I love working with people who are hungry and have the energy to really do better work.
There's not democracy in the workplace. I mean, through most of our daily lives, the idea of democracy is fairly nonexistent. And I think things work better when the people who have to work with whatever it is we're working with have a say in how it's working.
There are things that I am nostalgic about from the 'good old days.' I loved motion control cameras, actually. I love the way they sound. I used to do a lot of miniature work, and it's still warranted, but it's done less often, largely for budgetary, schedule, and flexibility reasons.
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