A Quote by Fred Schneider

Sometimes groups and their material can get overbloated. — © Fred Schneider
Sometimes groups and their material can get overbloated.
Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the material dictate to you, uh, really, how you worked with the group, and with the talent, and the personalities. All of these things was instrumental in having all of the groups, uh, retain their own identity. Uh, and, and the material had a lot to do with it, you know.
I tend to feed the trolls because it gives me material for my work. I'm sometimes taken aback by the racist and antisemitic abuse I get, but most of the time I'll get angry for a second, and then remind myself, 'This is material.' The trick is not to be too reactive.
Sometimes if you get 'em too drunk they don't pay no attention to what you're doin' anyways, so you might as well just do old songs. But if you get one that's paying attention, sometimes we'll do some new material.
I run the material, always with two people, sometimes three. We all see things so differently, so to get a couple of people's perspectives on what I'm doing and the material itself is insanely helpful for honing in on what to take into the audition room.
Sometimes I'm inspired by the material and sometimes there's an idea that speaks to a material.
Something like going to get the newspaper can increase your writing efficiency by taking you away from the material. When I'm doing other things, writing stuff will be swirling around in my head, and sometimes I'll see a new way into the material.
When you look at all of the conservative groups in town and across the country, we all agree on the same things. Where we sometimes get into a disagreement is over the tactics to get to the endpoint.
The thing that's worked for me is having as much of a connection to the material as possible. And sometimes the material requires a more straightforward approach, and sometimes it requires a little more silliness, you know?
Even in decision-making, we work in self-help groups. That is women coming together in small groups of 10 to sometimes 15 women, where they start to get education about their rights, about clean water and sanitation, about how to have a healthy birth. You can bring in all kinds of education to them that way.
Generating comic material can sometimes get the better of you.
Sometimes you don't choose the material; the material chooses you.
Writing tips are like mini skirts. Sometimes they fit perfectly, sometimes they make you cry, and sometimes you can reuse the material and sew yourself a pillow or something.
You get the sense that [John] Hughes is so right about the way groups divide and then divide again and then sometimes align and then sometimes break apart. And this idea that Michael Hall's character says, "On Monday, are we going to be friends?" you know, based on this.
Formal is formal. I can't wear sneakers all the time. Sometimes, I wear other shoes. It's not my challenge designing formal - it's so boring - but it's still important. I sell a lot of classic black sneakers made from every material because everyone loves black, and if you mix and match material, you get an opera.
The principal problem is that textual data and material remains are often incomplete and sometimes lack adequate context, in order to know precisely how they correlate. Sometimes all we can say is that the textual data and the material remains are probably related but how exactly can't be said until additional discoveries are made.
We don't belong here, but in the spiritual sky: As l'm fated for the material world, Get frustrated in the material world, Senses never gratified, Only swelling like a tide, That could drown me in the material world.
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