A Quote by Fred Seibert

If you mentioned Hanna-Barbera to people, they said, 'Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons,' and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
If you mentioned Hanna-Barbera to people, they said, "Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons," and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
I just find 'Scooby-Doo' unwatchable. I can't stand it. I like all those other Hanna-Barbera shows about a thousand times more than 'Scooby-Doo.'
My kids are fanatical about 'Scooby-Doo,' and I think that the creators of 'Scooby-Doo' somehow tripped across some kind of magical hypnotic formula that lures children. It's far more fascinating to them than anything else on the air.
My kids are fanatical about 'Scooby-Doo', and I think that the creators of 'Scooby-Doo' somehow tripped across some kind of magical hypnotic formula that lures children. It's far more fascinating to them than anything else on the air.
When I was a kid, 'Scooby Doo' was, hands down, my favorite cartoon. Even when I was older, when I was in college studying and I needed to tune out for a while, I'd watch 'Scooby Doo.'
When I was a kid, 'Scooby Doo' was, hands down, my favorite cartoon. Even when I was older, when I was in college studying and I needed to tune out for a while, I'd watch 'Scooby Doo.
I joke that I learned the essentials of storytelling from Hanna-Barbera, but I pretty much did. That kind of television is what enamored me as a kid, and that's what really got me hooked. You could say that's where it all began.
That’s a pretty lame superhero name,” I told him. “Scooby-Doo is already taken,” he said with dignity. “Anything else sounds lame in comparison.
Hey," Dopey said when I was finished reading. "How come they never mentioned me? I'm the one who found the skeleton." "Oh, yeah," Sleepy said in disgust. "Your role was really crucial. After all, if it wasn't for you, the guy's skull might still have been intact.
Your life will have chapters, complete with crazy characters, villains and a plot you can't even imagine as you sit here today. It's a lot like a Scooby Doo episode.
In the rural South, you have a town of 30,000 people and everybody's pretty much thrown on the same pile of doo-doo. You just learn to make the best of it and live with one another.
I wrote on a show called Johnny Bravo when I was at Hanna-Barbera.
I started working at Hanna-Barbera in '92 on 2 Stupid Dogs.
Yeah, a lot more than he likes you," said Oh. It didn't look like Milo appreciated the joke very much. "That's debatable," said Milo. "Is not," said Oh. She leaned in and put her pink cast against my cheek, kissing me quickly on the lips. "That's incredibly unfair. If we were gay you'd be up a creek without a paddle. You wouldn't even be in the game." "He's right, you know," I said. "Aw. You guys are having a bromance. That's really cute.
You've just got to get people organized and tell them the truth. There aren't any magic tricks to it. You know, sometimes it's pretty amazing. Actually, I mentioned a pretty striking case of this in "Crisis and Hope," which was the Caterpillar case in the early 1990s.
I really can't say what inspires me the most, because I'm inspired by just about everything. My feelings and relationships, my family, Scooby-Doo. Opinion of my work. Everything. Not just one thing.
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