A Quote by Fred Seibert
The early seasons of 'The Simpsons' had a great deal of heart. That's what I'm trying to pull from, the kind of stuff that goes straight to kids' hearts. When they're watching, they don't necessarily know why they love something.
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I know for a fact, obviously, because my kids grew up watching the show, that there are some things they are introduced to from 'The Simpsons', and then later in life they see the thing we're parodying. My kids had not seen 'Casablanca,' and we'd done parodies of 'Casablanca.'
I found a great deal of relief and excitement watching comics when I was very young. My grandmother was very into them and so was my grandfather. They had a profound effect on me, so I just found myself watching comedians on the after-school shows: Merv Griffin and that kind of stuff.
Shows are really great because you kind of become a family if it goes on for seasons. I started off doing more TV stuff and I really, really liked that. Then I got more into movies. They're both great, and I love doing them.
I could have probably built a great career in management consulting, but one of the insights that I had early on is that just because you're good at something doesn't mean that you should continue to do it. Somewhere in my heart of hearts I knew it wasn't what I wanted to do.
Just, you never know what the next day is going to bring. That goes for football, goes for off the field, and I gave up a long time ago trying to predict the future and trying to deal with things I couldn't deal with.
I'm not trying to do stuff for my kids necessarily all the time, but when you get the odd opportunity to do something for them that they could enjoy its cool.
I'm not the kind of person that's so self-confident that I would ever think I had recorded anything great. I know that whenever we finish an album and turn it in, I know that in my deepest heart of hearts that we did the best that we could. Only time goes on to tell what I will think of it 10 years later or if people will listen to it forever or if people will get tired of it.
We're not trying to raise good kids. We're trying to raise kids who become great adults. That's a very different thing. We all know parents who had kids that when they turned 18 left the house and went nuts.
I love watching how people who are in love with each other deal with each other. Every time I've had a fight with an ex-girlfriend, at the time they're horrible, but when I look back they're often funny and weird, and that kind of stuff makes me laugh.
I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."
The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
I love a great melody and wonderful lyrics that speak from the heart, and my music has that and speaks about it; but there's just something that was really raw and energetic about the early House music. It's hard to describe. It's like you had to go to these parties where the stuff was being played on these huge sound systems to really feel it.
I saw a psychiatrist when I was younger because I had ADHD, and I had some problems with authority, so I guess I can kind of relate to that in a way. I know what it's liked to be probed and to be asked questions where people are looking for a certain answer and are trying to pull something out of your answer.
I took a bit of a back seat, I had kids and I wanted to focus on them. There's that period in the late '90s, the early 2000s, where I didn't do a great deal.
I call 'Mukkathe Penne' my first emotional hit because it's the kind of song that goes straight into the hearts of the audience.
I'm quite proud of what I anticipated about reality television from my books in the early '90s, which I based on the early seasons of 'Cops' and on the amazing stuff I had read about happening on Japanese shows and the British 'Big Brother'.
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