A Quote by Fred Tomaselli

There are aspects of Asian culture in my work, but it's really rooted in an American experience - transcendentalism, '60s counterculture, punk rock. — © Fred Tomaselli
There are aspects of Asian culture in my work, but it's really rooted in an American experience - transcendentalism, '60s counterculture, punk rock.
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
Is punk rock really music, or is it really just an attitude? I get into that discussion with people all of the time. I personally consider be-bop jazz to be punk rock. And prog rock would definitely fall in that category too.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
The principles of punk-rock culture, of self-expression and DIY culture, that really spoke to me.
I can play punk rock, and I love playing punk rock, but I was into every other style of music before I played punk rock.
Punk is just like any other sub culture or music. Straight rock music has those elements. I grew up in a place where the punk rock kids fed the homeless in the town square.
Punk is no longer a subculture or a counterculture in any way. It's totally just a small reflecting mirror for the same things that go on in larger culture.
There's a misconception that I can't relate to the quote-unquote 'Asian-American experience' because I didn't grow up with an Asian mom and dad. And that's just not true. I am Asian American, and so playing a girl who is half Korean, half white, but her white dad tried really hard to connect with her mom's heritage - that's very familiar to me.
Punk rock was the first thing I found in my life that made me feel acceptable. The thing that got me into punk rock was the idea, "You're fine just the way you are." It sounds kind of dorky, but you don't have to make excuses for who you are or what you do. When you find something like punk rock, not only is it okay to feel that way - you should embrace your weirdness. The world is totally messed up, and punk rock was a way to see that and work with it without candy-coating it. It was saying, "Yeah, the world is this way, but you can still do something about it. Take energy from that."
We take a lot of inspiration from punk rock and early rock 'n' roll from the '50s and early '60s.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
Punk was key to the early part of me playing guitar. I was really into melodic punk-rock. I related to punk more than Lynyrd Skynyrd or Yes or Van Halen.
I think English punk died in '79 or '80. Maybe '82 at the latest. As far as American punk goes, it wasn't the same as English punk. It wasn't a working-class movement that was protesting the conditions under which this class had to work. I don't think American punk ever died.
I don't know that there's a division between American and British, European, South American, Asian sensibilities when it comes to rock n' roll or, really, any form of music. Songs travel, and people take them into their lives in all different kinds of unpredictable and really untraceable ways.
Compared with members of other nations of Western civilization, the ordinary American is a rationalistic being, and there are close relations between his moralism and his rationalism. Even romanticism, transcendentalism, and mysticism tend to be, in the American culture, rational, pragmatic and optimistic.
It's all magic to me. Country to punk rock, all of it. Chopin to Kurt Cobain. But it always all comes back to punk for me, because that was the last time, punk rock or grunge rock, was the last time that passion ruled the airwaves.
This site uses cookies to ensure you get the best experience. More info...
Got it!