A Quote by Fred Tomaselli
The small amount of people that control the discourse around painting - I thought that the whole museum world was just a bunch of phonies, and I didn't really want to have anything to do with it. I guess I did installations, in a funny way, because they couldn't be commodified.
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I'm not trying to be anyone. You know why other executives always hire phonies? Because they're phonies. They hire phonies because they like phonies. They're comfortable with them.
Make a small painting of what you want to do... and project it up on a white wall... The enlarged version is so changed that there is no way of just visualizing it in the brain... It's a whole new dimension in painting.
In voicing so much is left to your imagination to create the world around you like that. It's really the essence of what's so fun for, I think, many people when they first start to want to be an actor, is that they realise they enjoy making up a world around them to exist in, a whole situation and a whole way of being. And even more so than theatre, animation requires that because there's just nothing to go on. It's in your head and your heart or it's not there at all.
and never really thought I'd amount to anything. It was precisely what I wanted the whole world to think; then I could sneak in, if that's what they wanted, and sneak out again, which I did.
Architecture is a discourse; everything is a discourse. Fashion discourse is actually a micro-discourse, because it's centered around the body. It is the most rapidly developing form of discourse.
I'm interested in the way the whole cultural landscape can shift over time. Okay, this will seem like a silly example, but look at the whole discourse around "selling out," a concept people say is irrelevant because there's no more distinction between mainstream and underground, inside and outside (which I don't really believe, but that's another issue).
When it was offered [a role in The Flash] I just thought it sounded like the perfect thing that I would want to do. Then they announced it online the day after and I was terrified, because I hadn't read anything, I hadn't shot anything. What if I'm awful? What if they fire me on the first day? But what I discovered was a bunch of really happy actors who want to make the best show possible, because it's fun. Not for any other reason.
There was a belief after World War I that painting could be an act of civil revolt. I want this exhibition, 'New Museum,' to be an act of civil disobedience. It's not so much about the New Museum on the Bowery, but the idea of challenging museums as projections of cultural authority. It's painting as insurgency.
I think also just being from the Midwest, my dad was a stoic Midwesterner, he always told me never take anything for granted and you have to work for what you get so. That's funny because my friend Frank Anderson said something really funny he goes, "A lot of the people from the midwest are the laziest shits I've ever met." And he's right. I know some. You can't say its a stereotype that only people from the Midwest are that way because there are definitely people I know who hate to work and just want to hang out and drink beer.
As a kid, I really did want to hang out with the grownups, so it was hanging out with the hippest grownups in the world. This was the nicest bunch of people I've worked with in show business, with the exception of the people around 'A Mighty Wind.' It really was a wonderful eight years.
I don't really go out. I don't know, it just doesn't really do anything for me. Being around a loud environment with a bunch of people is just not my thing.
I really never thought people would think that I was funny, I thought (my friends) thought I was funny because I was their friend, but other people would just think I was an asshole. I was at least partly right.
Usually people start with painting and then go on to make installations; my painting came from installation.
If you are a believer married to an unbeliever I want to tell you that the greatest witness that you can be to them is to try to be the same all the time. Don't let the way they act control you. Dave didn't let my actions control him. He stayed happy, and that just made me madder, because unhappy people just want to make other people unhappy, but it finally broke through to me that he's got a stability and a joy and a peace that I did not have.
It's strange because I'm a sex symbol to 14-year-old girls which I guess is not the most helpful situation to be in. But yeah, I've never really thought of it. It's just so funny. I mean, just last year I couldn't even get a date and then this year, the world turns and it's so bizarre that everybody just changes their mind at the same time.
I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.
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