A Quote by Fred Tomaselli
I worked my way through art school as an auto mechanic, doing various stuff including sanding bodywork and using Bondo filler.
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I worked a lot of non-acting jobs for a really long time. They ranged from auto mechanic to landscaper to manual labor to working in a factory that made airplane parts. I even tried to go to school as a paramedic and ended up being an orderly in a hospital.
My dad was an auto mechanic, but we moved to Fort Worth, where he worked in defense, building B-24s.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
I don't love being an actor, but I'm not qualified to be anything else. I was an auto mechanic and drove a tow truck and tried to go to school to be a paramedic.
At 20, I was married, working as an auto mechanic, and living in Gainesville. I was doing Against Me!, but it wasn't by any means a full-time gig.
I worked in an art gallery for a few years, doing administrative assistance stuff, and it exposed me to what the whole world of art dealers and the art market was about.
Being in school and doing the fighting stuff, it is very tough. I had school work all the way from Monday through Friday, and then on the weekends, you had homework, engineering projects and stuff. That makes it very tough.
My mother taught public school, went to Harvard and then got her master's there and taught fifth and sixth grade in a public school. My dad had a more working-class lifestyle. He didn't go to college. He was an auto mechanic and a bartender and a janitor at Harvard.
When I went to college, it was so easy. And I worked two jobs while I was in school all the way through; I put myself through school. But working and studying was easy for me because I had worked so hard in high school, studying all the time. Taking only three classes and then working was an easy life in comparison.
I was always interested in art at school, and after year twelve, senior year, I spent three years studying graphic design at college. I worked in advertising for two years but didn't like it much, then began doing a bit of illustration work for various publishers.
I was going to go be an auto mechanic.
That's what I like about the idea of the aesthetic experience, the idea of both enjoying looking at works of art and how they kind of talk to you, and also the process of making art, getting back to that idea of the aesthetic experience of making art is very important, It's another way of thinking. Instead of just using your brain, you're using your hands to think with. They're different connections, the brain that comes through the fingertips as opposed that comes through the eyes and ears.
I went to art school... but I worked at the Museum of Modern Art. I worked in fundraising at the information membership desk. I ended up, over a period of time, doubling the amount of membership revenue that came in through people entering the museum, so people would ask me to come and work for them.
There's a lot of stuff you've gotta know about Auto-Tune before you can start using it, because it's the hot thing to do.
One of the things I always believed in was my dad came to America and he was a very talented musician, but he couldn't make a living that way so he had to support his family as an auto mechanic which he also loved doing. He was also such a great dad because when I first told him I thought I wanted to go into show business, his response was okay, that's interesting.
I've always had a preference for digital, all the way. I grew up through video and camcorders, and I was part of the VHS generation. I made all my stuff in high school on video, and worked for public access. Staying in digital is a very familiar, very natural progression of the things that I've worked in before, and I always try to break as much new ground as I can.
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