A Quote by Fred Willard
It's more fun in a way to do ensemble scenes, where you know your background, you know the scene, but you can't prepare because someone else is going to say something that is going to lead you off.
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It's more fun in a way to do ensemble scenes, where you know your background, you know the scene, but you can't prepare because someone else is going to say something that is going to lead you off
I've fully accepted the fact that if I'm going to do a career like this, I have to be willing to take criticism, because it's a part of the job, you know? Any Instagram thing I post, someone's going to say something. I know that. Anything on Twitter, someone's going to judge whatever I do, whatever I say, whatever I look like. I understand that.
I'm not scared anymore, I just ... I don't know. I think it's because I saw someone else, someone behind your face, like you'd taken off a mask. It was still you, but it wasn't. And I don't think that person is going to hurt me, or Marci, or anybody else, but ... I guess the thing is that I don't know anything about that person. At all. And that's what scares me more than anything - that there could be two people, so different, and one of them so secret.
There's spatial intelligence. they're, which end up being, people going into math or music. there's mechanical where you work well with your hands. There's an intelligence with language that would lead someone into writing. So it's not necessarily that you're six years old and you know you're going to be a lawyer Or you're going into tech startups or computers. It's something more elemental than that. It's that this is a skill, a way of thinking that comes naturally to me that I was drawn to and it was very clear in childhood.
Whether it's one scene or 15 scenes in a film, whether it's the lead or a cameo part, if I don't find it interesting, I tend not to do it. You never really know what it is. It could be a one-scene part. I remember I read the one scene in Crash and was asked to do it. I was like, "Absolutely!" There's no formula for how something has to be. I always try to keep it that way.
I wish sometimes that I could be Daniel Day-Lewis and say, 'You know what? If you want me to do this, I'm going to need a year to prepare myself.' But if I do that, they'll say, 'Thank you very much,' and they'll take someone else.
If the only way you can do well is working more hours than someone else, you're going to lose out because there's always going to be someone who is going to work more.
I've learned to keep your mouth shut even when something bad is going on. You never know how someone is going to take something you say. You have to bite the bullet.
I think there's a danger in letting someone else shape how you're going to approach a player. Every person has somebody who's going to say something negative about them, you know? If you pay attention to all that stuff instead of seeing it for your own eyes, you can miss out on some opportunities.
Every time you hear someone read your book and liked your book, you're never sure whether that's going to follow with a similar remark from someone else. Perhaps I have low expectations, but whenever I hear someone say, 'I liked your book,' I don't know if it's going to happen again.
Making little videos that you know are going to be on tiny windows is a whole different thing. I don't know what it's going to lead to necessarily, but it's certainly fun.
We are all God's people; we have to get along and the [religious leaders] have to lead the way. If they don't do it, who else is going to do it? They're not going to do it and it's left to musicians or to someone else to deal with it.
Say you're a sex worker and your partner knows you're a sex worker, but you're not out to your family. That could be very dangerous, particularly in an unhealthy relationship, where it could be a recipe for conflict, for something potentially violent that could lead to someone going to jail. There's so much pressure because of the criminalization and stigma. If we lifted that, it's only going to benefit more women.
Going through the grief period of my dad and losing him - that was the worst thing because you know when you get that call. When you are seven, eight years old, you have that almost vision in your mind of what that's going to be like and what your going to feel like and it doesn't prepare you.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
I feel like I have more experience with publishing humor than pretty much any editor I'm going to be dealing with so sometimes I'll get a little bit nuts if I write something I know is good a certain way, and some editor because of some restriction he has and wants to change it that I know is going to make it less funny that'll piss me off and then I'm inclined to go, "Well, hey I've been doing this a long time, maybe you should..." That doesn't happen that often, but I'm more likely to say that now than I would have been a long time ago. Because dammit, I'm infallible!
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