A Quote by Fred Willard
I love sketch; it's my favorite form. But if it's all improv, they're either very good, and it's annoying how good they are, and it makes you feel bad, or they're not too good; then you're sweating for them.
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I have friends who will say, "Oh you gotta come and see our show." And the first thing I say is, "Is it sketch or improv?" I'll go in a minute to see a sketch show. I love sketch; it's my favorite form. But if it's all improv, they're either very good and it's annoying how good they are and it makes you feel bad, or they're not too good then you're sweating for them. And you don't want to sweat for them, see actors repeating each other's lines.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
Hale, stop it.” Kat reached out and grabbed his arm. “You are many things, but stupid isn't one of them.” “I'm too close.” “You don't get it, do you? Being close is good. Caring is good. I love that you're emotional and passionate and can't turn these things off.” “It makes me a bad thief.” “It makes you a good person.
Love is a form of prejudice. You love what you need, you love what makes you feel good, you love what is convenient. How can you say you love one person when there are ten thousand people in the world that you would love more if you ever met them? But you'll never meet them.
Your love is as stable as you are: It's not about how good a person makes you feel, but rather what good you can do for them.
I'm not sure anything makes you an outright good person or bad person - that we're all capable of doing good or bad things. And if you want to know how much good you can do, and how much hurt you can do, just ask somebody you love.
What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.
Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, "Oh my god, what a bad job, I can do better."
Of course, we all need to have basic necessities met, such as good health care, good food, good education and good housing. But what is good? Having too much is bad, as having too little is also bad.
No act is of itself either good or bad. Only its place in the order of things makes it good or bad.
Good or bad is a matter of perspective. I met an immortal hunami once, a man called William Shakespeare, who wrote that there is nothing either good or bad, but thinking makes it so.
What matters is how I feel about it, cause if I feel good or bad about it, then the audience will feel good or bad about it and that's just sorta the job.
Everything can be brought to the extreme. Food is good, overeating is bad. Possessions are good, hoarding is bad. Guilt is good, obsessing about guilt is bad. But I think guilt is good because I'm like, "Hey, I just stabbed that guy and I feel pretty good."
The hardest part about improv is getting the audience to relax and enjoy themselves, because most improv is not very good, and the audience is nervous for the performers the whole time. Not that they don't even like the show, but they feel bad for the performers.
Children simply don't make the distinction; a book is either good or bad. And some of the books they think are good are very, very bad indeed.
Heroes aren't supposed to do bad things. That's what villains are for. So either the good supersedes the bad, or the bad makes it impossible to remember the good. We don't like it when such duality exists in one person. We don't want to know our heroes are human.
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