A Quote by Fred Willard
I loved Bob Hope and the way he would turn to the camera and break the fourth wall.
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A lot of the times, reality shows don't like people to break the fourth wall. With a docu-series or a documentary, everyone breaks the fourth wall because you're talking to the camera quite a bit.
In drama, you're interacting with other actors to tell the story. The camera is like the theater: it's the artistic fourth wall. In a screen play, you don't look at the camera and communicate with it. But with hosting, you're looking right into the lens and talking to the people. It is a different style, and it's fascinating.
When you're the host of the Academy Awards, and you grew up watching Bob Hope and Johnny Carson, and now it's your turn, and you get a chance to run with the baton on the relay for a while, I really embraced it and just really loved being there.
As a comedy writer, I'm always praying for the day I can tell a self-aware/break-the-fourth-wall style of joke.
Like everyone is either, "I grew up with it," or "I loved it," or loved them now. And when you watch The Muppet Movie now, it is so current. It's like The Simpsons before The Simpsons. It's not as cynical as The Simpsons would be but it's self-aware and there are a billion jokes, it breaks the fourth wall every five minutes, it's astounding, it's awesome. It's very exciting to be a part of that.
There are a lot of movies I would want to be a fly on the wall for. I would have loved to see the making of Jaws [1975], with all the fears and anxieties it was going to be a complete failure, and then to have it turn into the first blockbuster.
I would never know how good I was if I didn't have Bob Arum. Bob Arum is white, Jewish; He was working for prosecutor's office. I'm black, an ex-convict, ex-number runner. Who would be most likely to succeed? It would be Bob 100-1. Yet I beat Bob on everything we ever done, with love.
Bob Hope was totally regimented. I go in and say a line like, 'Hi Bob' and I'd have to do it five times, and then Bob would take me to the writers to say the line different ways. He wouldn't let me ad-lib.
When the protagonist breaks the fourth wall by looking at the camera in a movie, it's generally been used for comedic purposes, rather than feeling like they're looking into your soul.
Bill Charlap and I recorded a tune that Jack [Montrose] wrote and had brought to a date with Bob that was untitled. Bob [Gordon] really loved it and asked if he would mind if they dedicated it to Sue and call it "For Sue."
The only thing that's real in any universe [is] that brilliant fire of Love that burns to the exclusion of everything else. As we recognize the presence of Love, we break through the wall of grief that would try to convince us that the dear soul with whom we have learned and loved so much no longer exists, or that she or he cannot speak with us. There is no wall that Love cannot vaporize. We may believe in death, Love doesn't.
My hope is that the film Wall Street 2 will actually serve as a way for us to bridge that gap between Wall Street and Main Street. Certainly that's dealt with in the film of how it does affect everybody, so, you know, I always find that when you can create a movie or a play or a book that gives somebody a safe theoretical place to discuss what is really going on in the day it tends to forward discussion, so that would be my hope coming out of the film.
I always loved comedy growing up - Bob Hope, Red Skelton and Danny Kaye.
Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."
I've seen people 'turn up' for the camera, thinking that this is the best way to maximize their platform and get more camera time. This formula works, but it's shortsighted.
When you are interviewing someone, never let your camera person turn off the camera. The second you turn off the camera, they'll say the magic thing that you'd been looking for the whole interview. People want to relax after the performance is done. Don't be afraid of awkward silence. That is your friend.
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