A Quote by Fred Willard
If you're going to take a risk as a comic, make sure it's surrounded by other things that you're certain are funny.
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I'm not a huge risk taker. I think that, for me, I take certain kinds of risks, but if you look at me, you wouldn't say I was a big risk taker. I'm not going to jump out of an airplane and parachute and things like that. That's not really me.
There's a difference between being a comic and a comedian. A comic is a guy who says funny things, and a comedian is a guy who says things funny, and he has a style and point of view that will last much longer.
If for you the most important thing is to make a lot of money, then you don't want to take a certain type of risk. If, on another hand, the most important thing to you is to make people around you have a more fulfilled life, then there is a different set of things that are important to you. Unless you really know that about yourself, you will never be able to appropriately assess risk.
In terms of getting people to experiment more and take more risk, there are at least three things that immediately come to my mind. Number one, of course, is role-modeling it yourself. Number two is when people take intelligent, smart risks and yet it doesn't work out, not shooting them. And number three, being honest with yourself. If the culture you have is radically different from an experiment and take-risk culture, then you have a big change you going to have to make—and no little gimmicks are going to do it for you.
I think that certain things are funny and certain things are okay to make fun of - including myself.
I don't look at certain things on TV anymore. I don't listen to certain music anymore. I make sure my kids don't listen to it. It's funny because back in the days I could look at comedy shows and all kind of stuff and you didn't even realize how much cursing it had in it.
The Democrats talked about putting people first. Well, they put people first unless you happen to be a spotted owl or a giant garter snake or some other endangered species and then that seems to have priority. Obviously, you take the bald eagle and things of that sort, of course you're going to make sure that they are saved and that they can live and you're going to take every precaution that you can. But others - we just need a little flexibility.
An essential element of any art is risk. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before?
There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.
I want to see things work out for everybody... so it's a burden I place on myself to make sure that we are performing at a certain level, that we get certain things done.
When you're confident, you're going to do things a little differently. You're not going to be hesitant to take a shot, you're not going to be hesitant to make a certain move.
When I take kids into the woods, I tell them, "What we're going to do today is going to be incredibly dangerous." And you just see 20 smiles go up. "But, we're also going to learn to look after each other, who to work together and who to understand and manage that risk." That's what it's about, you don't empower kids if you don't expose them to risk.
I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things.
I hope that 'Gambit' doesn't take ten years, but it takes a little honing to get that tone and that voice exactly right. The character has such a specific voice in the comic, in the same way that Deadpool has a specific voice in the comic, that we want to make sure that we capture that voice on the page.
I think one of the basic tasks in life - one of the nice things we can do for each other - is to take things that are horrible and scary and make them acceptable and less frightening and, if possible, funny. It feels great to succeed at that.
The actors come in and they make characters their own and so Patrick and I have never been the kind to think that our script is the bible. We want to make sure that the story is told, that you stick to the story but if you have to make changes to the character then that's fine. A lot of times there are some funny one-liners, funny things that happen that are out of the ordinary. I like it.
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