A Quote by Freddie Fox

I think it's dangerous being cynical because you close doors rather than open them. — © Freddie Fox
I think it's dangerous being cynical because you close doors rather than open them.
In order to be as free as I possibly can, in my own imagination, I can't take positions that are closed. Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it, to open doors, sometimes, not even closing the book -- leaving the endings open for reinterpretation, revisitation, a little ambiguity.
I want to be a force that tries to revive the human spirit rather than crush it, to open possibilities rather than close them down. Sometimes a passionate negativity is the best way to do that.
Pray that God will open the doors you can't open and close the doors that need to be closed.
God can take better care of you than you could ever take of yourself. He could open doors for you that you could never open. He can close doors that will keep you out of trouble. God can give you favor everywhere that you go.
You never know what you're going to end up with when you sit down to write something. At the end, if it holds, it can do this multifarious thing - which is to open things rather than close them, to make them bigger rather than smaller, to cross those divides which we live every day of our lives.
We live, we love. These are the choices we are given, to open doors or to close them. It is all we have, and it is enough
Good manners open the closed doors; bad manners close the open doors!
Once I close the doors, it's closed. I don't open it back up. That's kind of me as a human being. That's just one of the things about me... But yeah, for me, I don't close anything until I'm officially done.
Do you remember that old TV series, Get Smart? Do you remember at the beginning where Maxwell Smart is walking down the secret corridor and there are all of those doors that open sideways, and upside down and gateways and stuff? I think that everyone keeps a whole bunch of doors just like this between themselves and the world. But when you're in love, all of your doors are open, and all of their doors are open. And you roller-skate down your halls together.
American education is still the wonder of the world, and we must open the schoolhouse doors, not close them.
in a way it doesn't matter whether you open doors or close them, you still end up in a box.
I think that being a gentleman is what matters; taking them out to a nice dinner, open the doors, stuff like that.
One could get locked in by the Pulitzer, thinking, 'This is who I am.' Doors open with it, but doors in your mind could close.
We are born into a vast room whose walls consist of a thousand doors of possibility. Each door is flung open to the world outside, and the room is filled with light and noise. We close some of the doors deliberately, sometimes with fear, sometimes with calm certainty. Others seem to close by themselves, some so quietly that we do not even notice.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
Life is a house with millions of doors. Here is a good strategy of life: Open the doors, open as much as you can, open as much as possible, open the doors!
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