A Quote by Freddie Fox
I wanted to be a director of photography for a while, because I'm fascinated by what they do. You're made to look good by them and you can learn so much from talking to them.
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As a child, l was fascinated by gemstones in the way that small children are fascinated by dinosaurs or trains. Stones seem very physical and look like sweets. You can look at them microscopically and imagine things about them.
When you have a good friend that really cares for you and tries to stick in there with you, you treat them like nothing. Learn to be a good friend because one day you're gonna look up and say I lost a good friend. Learn how to be respectful to your friends, don't just start arguments with them and don't tell them the reason, always remember your friends will be there quicker than your family. Learn to remember you got great friends, don't forget that and they will always care for you no matter what. Always remember to smile and look up at what you got in life.
I'm fascinated by people in their eighties and nineties. Especially those who are still creating and living in an interesting way. I am fascinated by them because they have so much to say now that they've lived for so long.
I find it always pleasurable talking with young people, particularly those aspiring to be writers, out of nostalgia, and because I've always felt that we oldies can learn so much from them and draw from them inspiration in our flagging and rickety years.
The first few films I made didn't look good at all, and I wasn't trying to make them look good. People dig 'em because they like the content.
Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.
It's been great. I've been very lucky to work with more experienced actors early on in my career because I get a chance to learn from them. There is so much you can learn from them. You can just follow them and you'll be pretty safe.
I look at my yesterdays for months past, and find them as good a lot of yesterdays as anybody might want. I sit there in the firelight and see them all. The hours that made them were good, and so were the moments that made the hours. I have had responsibilities and work, dangers and pleasure, good friends, and a world without walls to live in.
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
We wanted to impress the crowd so much. The city has done so much for us and welcomed us right in, and we just wanted to give them a good show and show them that we're going to play for them. I think guys just had a little bit of jitters.
When I was 15, Juventus of Italy, wanted to hire me because one of their scouts, who had been a famous Italian goalkeeper for them, saw me and told them that there was a boy with a potential, that it would be good to take advantage while I was still unknown. Juventus proposed but my mum never wanted to hear anything from anyone.
At the time we did 'Night,' I was a director of television commercials. Some of them cost a lot more than our whole movie. They were very slick, sophisticated... we wanted the opposite look for 'Night.' We wanted it to look like a newsreel.
I suppose we'll make money off our album and our singles and stuff, but, like, they were made as we wanted them, exactly with what we had to say, and done exactly how we wanted them, right? And, like, we didn't put them out to make money. We put them out because we wanted to do them, do you know what I mean?
You have these kids trying to make these grown up decisions because nobody is talking to them. We're talking at them, but we're not listening to them.
And friends of mine that had photography class in high school would develop the film and make prints and I'd take them back to the track and give 'em away or try and sell them. Much to my parents' dismay, I majored in photography in college.
You can't teach people photography, they've got to learn how to do it the best way possible for them. They can learn from looking at pictures taken by well-known people, but they don't really get intimate with the medium until they've made a few bad shots!
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