A Quote by Freddie Fox

I am delighted to be working with Guy Ritchie on 'King Arthur,' who's been a boyhood hero of mine ever since 'Lock, Stock' and 'Snatch.' — © Freddie Fox
I am delighted to be working with Guy Ritchie on 'King Arthur,' who's been a boyhood hero of mine ever since 'Lock, Stock' and 'Snatch.'
I really enjoyed working with Guy Ritchie. One, it gave me a career, and two, they're probably a couple of the best films I've ever done.
Because of the nature of King Arthur and the resonance he has, not only with within the U.K., but right around the world, I have found it a huge honour to play the part. I will look back on it very fondly and be very proud to have been King Arthur when I finally hang up the chain mail!
Arthur, their young king, like a hero out of legend.
King Arthur is profoundly stupid and inept.. then there's Clive Owen, rising above it all. Aloof yet watchful, the actor cultivates an inner stillness that is perfect for faintly ironic brooders. He neither distances himself from this risible material nor pulls out the stops and opens himself to ridicule. His King Arthur tells us little about Arthur, but much about protecting one's flank. The mark of a box-office king?
Yet, there was once a king worthy of that name. That king was Arthur. It is paramount disgrace of this evil generation that the name of that great king is no longer spoken aloud except in derision. Arthur! He was the fairest flower of our race, Cymry's most noble son, Lord of the Summer Realm, Pendragon of Britain. He wore God's favour like a purple robe. Hear then, if you will, the tale of a true king.
Casting me as King Arthur was quite bold of 'Spamalot's producers, although it has been historically proved Arthur was Asian, and that Sunday trading started with Asians in 11th-century Britain.
I've just written a very gritty, non-magical take on the King Arthur legend, 'Here Lies Arthur,' and I'm currently toying with some other historical ideas, as well as working with the illustrator David Wyatt on some sequels to my Victorian space opera 'Larklight.'
People say, 'I love 'Snatch,' I love 'Lock Stock,' but I want to be more than a movie name. I'd love to be more of a household name.
People say, 'I love 'Snatch,' I love 'Lock Stock,'' but I want to be more than a movie name. I'd love to be more of a household name.
Ever since I was little, I was changing the pace. I think I was just getting bored on the court, so I was trying anything. It's been working ever since. I've been practicing it, and it's obviously throwing off a lot of players.
Eve Ensler is a hero of mine. She's been working for the rights of women for a long time.
I thought 'Lock Stock' was a good film. I thought 'Lock Stock' was a good film because I think it was a one-off before it was imitated a hundred times.
I've never liked talking about my personal life, ever. Ever since I was 20, I've lived in a kind of public arena; and there have been stalkers, blackmailers, death threats, physical violence and threats to friends of mine, colleagues of mine, to myself.
Scorsese's been a hero of mine since I was young. If you saw 'Swingers,' you know I was definitely fixated on his body of work.
The 'King of Small Style' moniker was actually an idea that a real good friend of mine back home in Oshkosh, Wisconsin came up with the day I was released by WWE. Nakamura was the 'King of Strong Style' and that nickname was hot at the time so I jumped on the bandwagon and made a name of my own. It's stuck with me ever since.
I love my mother, but there has been, ever since my boyhood, a sort of coldness of intercourse between us, such as is apt to come between people of strong feelings.
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