A Quote by Freddie Freeman

I don't really watch video, but I see the replay; like when I do strike out, and I'm walking back to the dugout, I look up and see if they do show the replay of me swinging and missing.
I remember when replay first came to TV. I can't remember who it was now, but a manager came out to beef about a call, and I ran him. He said he was going back into the clubhouse and watch replay. I told him, 'Go ahead. I am the replay.'
Distant replay morphs into instant replay, and future replay cannot be far off.
I watch a lot of sport on television. I only watch certain sports, and I only watch them live - I don't think I've ever been able to watch a replay of a match or game of which the result was already decided. I feel bound to cheat and look up what can be looked up.
You won't be free from guilt if you are constantly replaying the negative memories of your past. If you're going to replay anything, replay your victories!
The slow-motion replay doesn't show how fast the ball was really travelling.
If you watch closely a highlight of my fights, you will see armbars and everything. But if you really watch, what you'll see most of all is me getting back up. The power of getting back up. And to try again. It's all about overcoming.
I feel like the original 'Mad Max' created such a vivid world, that to go back and re-imagine it and kind of replay in that sandbox sounds like fun to me.
We see women on the field; we see them interviewing players, we see them coming out of the dugout. But if you put them in the booth - like, hold up, wait a second - you haven't been there before. This is different.
But his face had that hollow look, as if there was something gone... you know that look. The inward focus. Distantly attentive to the home you're missing, or the someone you're missing. That look that a bird has when it turns it dry reptilian eye on you. That look that doesn't see you because the mind is filled up with someone it would rather see.
We're a new show. We can't afford instant replay.
The best part is if you dunk on someone at home and they show it on the replay!
I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.
You see layers as you look down. you see clouds towering up. You see their shadows on the sunlit plains, and you see a ship's wake in the Indian Ocean and brush fires in Africa and a lightning storm walking its way across Australia. You see the reds and the pinks of the Australian desert, and it's just like a stereoscopic view of all nature, except you're a hundred ninety miles up.
It's really on the streets, if I'm in a car, or I'm walking by, and I see a girl. And you can see it, on her face, you can see it in her step and the way that she moves and flows, and you're like: "You go girl." And it's fun, and sometimes you just have to go up and be like, "You look fantastic!"
Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.
For me, I can't watch violence when it's too grotesque, and it's just like, that's revolting to watch. I don't enjoy it. But when it's a Tarantino film, I'm lining up outside the door to see it, and I'm expecting to see something really crazy, a lot of blood, and for it to be funny.
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