A Quote by Freddie Gibbs

Coming up in America in the '80s and '90s, we were not too far removed from slavery. People forget that. — © Freddie Gibbs
Coming up in America in the '80s and '90s, we were not too far removed from slavery. People forget that.
The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
There was a uniqueness to the American case of slavery. 10 million people, a conservative estimate, were brought to America... hundreds of people were set up in work camps, and hereditary-forced labor was put in place. That's a very different thing than the personal slavery that existed elsewhere.
Most people found out about Slint in the mid or late 90s, but we were an '80s band. We started in 1986 and broke up at the end of 1990.
People forget how dominant Public Enemy became in the mid '80s. No one talks about how transformative they were. And then that led to the '90s and the sort of East Coast v. West Coast stuff, which is kinda when I came of age.
Throughout the 1970s, '80s and '90s, federal mandatory minimum laws were implemented that forced judges to deliver sentences far lengthier than they would have if allowed to use their own discretion. The result has been decades of damage, particularly to young people.
When I was coming up in the '80s television, if you were on television that meant either you were a young actor just coming up like I was, or you were an older actor whose career was over and you had to go on television.
People have come up and told me they were WCW fans from the early '90s, or they were watching my work in FCW when I first started in the late '80s, and they'll spit out a match of mine that they still remember. I stand there in awe, shocked that someone still remembers.
People forget that scenes and fashion trends changed very rapidly during the '80s. We went from glam rock to punk, to new romantic, to flashy sportswear... and this all happened just as I was coming up through the ranks.
We, the Black people of America, were chosen by Allah: Not to be "special" in the sense that we are better than others, but chosen because of the uniqueness of our position inside of America, and 460 years under slavery, neo-slavery, and injustice, to carry a message to the whole of humanity.
A lot of people celebrate the '80s. I was a '90s guy. The best music, and basketball, was at its high in the '90s, with all of the best players, playing the best style of basketball in that era, and Michael Jordan winning six rings in the city I grew up in.
I got into computers back in the early '80s, so it was a natural progression of learning about e-mail in the mid-'80s and getting into the Internet when it opened up in the early '90s.
There was a time when emigration from Cuba was a definitive separation. There were no visits. In the '80s, '90s, it was incredibly difficult. I'm not the only one interested in this as a filmmaker - other Cuban filmmakers have dealt with it, too, because it's such a part of our reality.
What I saw quite clearly in the '80s, before the internet, was that the whole world was shifting toward digital formats, and that didn't matter whether it's movies or writing or whatever. It was something that was coming. And with the invention of the World Wide Web in the early '90s, when we were teaching our first courses, or the arrival of the internet by way of the browser, which opened up the internet to everybody - soon it was just revolutionary.
I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
I'm not trying to reinvent the wheel with 'Venom.' I'm not trying to go too far to the left or too far to the right. Sometimes I step outside the box and it might lose people a little bit, so this time I'm going straight up the middle. I'm coming with some hard stuff.
The '80s and '90s were the greatest time to be a makeup artist.
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