A Quote by Freddie Gibbs

I don't really know what a debut album is no more. As long as you got music on the streets, you've debuted. — © Freddie Gibbs
I don't really know what a debut album is no more. As long as you got music on the streets, you've debuted.
My debut album is like a collection of work over the past nine or ten years that I've been writing since I was 18-years-old, and when you've had that long writing music you get to select the music that has worked really well.
I come from making money in the streets. The streets all I know. All my family is still in the streets. So, it's going to be hard to pull me right back into that. When I ain't doing no shows four days out of the week, I may be in my hood or at my grandma's house in the hood. But yes, I got a kid. I got to get more serious about the music so he don't get dragged into that life.
Before I debuted, it was my goal to make my debut, and afterwards, I aimed at winning champion titles on television music shows, and I hoped for a chance to perform as a soloist.
When I wrote my debut album I was around 17, I didn't really know what my sound was or who I was and what I wanted.
People really don't know the extent of what I actually do. I'm not one of those rappers... "Hey! Make a hit. Throw it on an album! Sit at home and make more music." I put 4 or 5 mixtapes out and do shows all year long.
It's a dream come true as I await the release of my debut single 'Krazy Konnection' with Salim Merchant and then my debut album!
From Vienna with Love' will build a bridge across the globe from Vienna to Sydney, full of music, love and fun. I am really looking forward to performing with the Sydney Symphony Orchestra and fabulous guest artists who all have ties to Vienna and telling a story with music that inspired me and songs from my debut album.
My mom and dad are from the streets. My mom's from Chicago. My dad's from Memphis. My dad got out of school and got with my mom. They were hustlers. They were from the streets. They were doing their thing. The streets ain't got no love for the streets. You can light up the streets, or be a victim of the streets.
I don't know if I have a 'Greatest Album Ever.' I really liked 'The Blueprint' by Jay-Z. The production on that album was really great. 'All I Need' was the first song I used for walk-on music in 2002 for my second time ever on stage, so that means a lot to me.
I feel like every album we make, that's our debut album.
The word 'album' makes you nervous, especially 'debut album.'
With this new album, I prepared for it a long time, and I was happy with the songs and the production. I felt that I proved myself with the first album, and with this new album, I just want to share some of my music. And that was always my feeling and my intention.
My debut album, 'Forget the World,' is all about not listening to the negativity around you and to continue to do what you love, no matter what people think. I love what I do. Dance music is my passion, my life. There is no greater feeling than being one with my fans, partying to the music we love.
I definitely want to put together an amazing debut album with some really dreamy collaborations.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
Grooves are important to John Talabot - they're pivotal. That's the case with most dance-music producers, but there's something especially sleek about the Spanish producer's debut album, 'fIN.'
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