A Quote by Freddie Gibbs

Madlib isn't a beatmaker, he's a producer. — © Freddie Gibbs
Madlib isn't a beatmaker, he's a producer.

Quote Topics

I'm a producer, not just a beatmaker but a producer.
There's a difference between a beatmaker and a producer.
The main thing about being a producer and not a beatmaker, the difference is the ear.
I wasn't fully aware of the things that Madlib did musically, but my manager put me up on game. I'm not gonna act like I was a Madlib head when I wasn't. I didn't understand a lot of it at first. But it opened my mind to some things, and it's me bringing that gangster element to things that he does. It's like a perfect marriage.
I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.
I love being a producer, and I think I essentially still operate as a producer even though I now have control of marketing and the ability to green-light shows - something every producer wants but that they don't get!
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.
If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
I think that with me and Madlib, I was never afraid to really experiment with his tracks and things.
An actor like me hardly ever sees a producer. My agent will say, how about Coogan for the part. The producer will say yes. So you never see the producer.
When 'The Pacific' came around, I had to audition the old-fashioned way. It was the casting director and then the producer and then another producer and another producer and then Spielberg and Hanks.
You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
Boygenius' was the first time I produced without a producer-producer in the room. It's been crazy.
I'm not a full-fledged producer, but I can be one if I want to really spend my time on straight being a producer.
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