A Quote by Freddie Gibbs
There's some dudes that did Gangsta Grillz tapes who probably weren't worthy of it - their label just put up the bread, or they did a favor.
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Love did not have to make sense. It did not have to be worthy. It did not have to be earned. It did not have to woo. It just simply was.
Did any agents ever put Diane Ladd up for some of the great parts, even though she always got great reviews? No! But do they put up the girlfriend of the studio executive who's gonna do them a favor later? You betcha.
Not to get too deep, but I was brought up by these women who if you wanted to label them, maybe they were feminists, but you know what? They never asked for that or wanted it and they never got up on a soapbox and spoke about it, they just did it. They did their work, they did their jobs, they were who they were.
There's a long history in the Middle East of "bread intifadas," starting with 1977 in Egypt, when Anwar Sadat tried to lift bread subsidies. People rebelled and poured into Tahrir Square, shouting slogans against the government just like they did earlier this year. Sadat learned his lesson and kept bread subsidies in place, and so did a host of other Middle Eastern dictators - many of whom were propped up for years by the West, partly through subsidized American wheat.
Nobody uses skits at all anymore, so it seems like I use a lot. That's how I grew up on tapes. Biggie tapes, Biggie albums would have skits. The Lox would have skits. Mase would have skits. All the dudes I grew up on in Nineties rap would have skits on their projects, just to make you feel like you were right there with them.
I did some writing. I was just taking the kids to school. I did a couple things and we did some tours. It was a lot of downtime.
But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.
I come from a pretty working-class neighborhood in Chicago. Hard work was just expected of you. It wasn't some noble thing you did; it was a prerequisite. It's what a man did. You get up, you put on your boots, and you work hard. We've lost a lot of that, I'm afraid.
From the moment you put a piece of bread in your mouth you are part of the world. Who grew the wheat? Who made the bread? Where did it come from? You are in relationship with all who brought it to the table. We are least separate and most in common when we eat and drink.
The world is wrong. You can't put the past behind you. It's buried in you; it's turned your flesh into its own cupboard. Not everything remembered is useful but it all comes from the world to be stored in you. Who did what to whom on which day? Who said that? She said what? What did he just do? Did she really say that? He said what? What did she do? Did I hear what I think I heard? Did that just come out of my mouth, his mouth, your mouth? Do you remember when you sighed?
I've had a couple tapes out and they weren't really tapes, it was just some songs that I had made, and then I would throw them together as a compilation and put a name on it. And then when I would release my next thing, I would just delete it.
I thought Chris Benoit was worthy of being a Horseman. I thought Dean Melinko was. Obviously I thought Steven Michael was, though obviously he was inexperienced, I thought he was a perfect fit as a horseman. I did not like the Paul Roma deal. I did not like Sid Vicious or about two or three guys that they put in there, I just couldn?t see it. I couldn?t stomach it, but I had to.
I was a funny kid growing up, and I did improv in college and went to Pratt Institute, but I did it very informally. It was just me and some of my friends goofing around on campus.
I did the pilot, and when they came through and said they were going to put it on the air, I had already some dates in the book with my band and so on. So Barry did the first one, he may have done a few more than the first one in the series, and I took it up from then.
I did not label myself 'plus size.' The fashion industry did.
I sang in a rock band when I was training as a lawyer. You know, not professional, we just did it for fun. We just did gigs all over Edinburgh and some in Glasgow and some at festivals.
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