A Quote by Freddie Gibbs
I'd be quiet as a mouse if I didn't have the correct feeling about my music. I feel like I'm able to talk about it and say I'm one of the best because I think I got the music to back that up. I got the live show to back that up. That's all that matters.
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What's holding me up is I'm confused about the nature of the music. Because the modern music doesn't reach me. I mean to say the sound of the modern electric production. A lot of sequencers... synths. That's what people are buying. Because that doesn't reach me, it throws me back to like 1948, but I don't want to be there. Back there, I'm talking about blues records... The roots of rock'n'roll is rhythm and blues and that's like really where I'm at, where I was always at.
If you want to talk about EDM, let's talk about Detroit underground music, Chicago house and let's talk about all the things that got us to this place. We all get on the train of dance music. We need to all respectfully look through the carriages that have come before us and realize how we got here.
If you want to talk about EDM, let’s talk about Detroit underground music, Chicago house and let’s talk about all the things that got us to this place. We all get on the train of dance music. We need to all respectfully look through the carriages that have come before us and realize how we got here.
I do feel pressure internally and externally to put out music, but that excites me because I love songwriting, and this brings me back to why I got in music in the first place, so I'm excited about that.
I loved our music discussion. I live for discussions like that. It's my favorite thing because it means that people care about music, and actually have an opinion. I feel like it's dying. Everyone is just really like, they take a step back, but to actually have conviction about what's good and bad: love it.
I got 'Power' on my own through my agent and my team. I didn't know 50 until I got on the show. Because my character is so close to his, we spent a lot of time as friends. But even in that, I didn't really bring up music to him because I saw how everybody else was bringing up music to him.
Every true-crime thing you see goes in with that kind of ominous music and low lighting, so to be able to talk about these things but not have to feel somber about it and not feel guilty that you're not feeling somber about it - I think that's what appeals to me.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
I'm happy about the fact that my audience is very open to new music. They're dying for new music. So all I got to do is get up there and show them what I'm doing, and they go oh yeah, I like that.
The realization of what would happen next settled gradually over Harry in the long minutes, like softly falling snow. "I've got to go back, haven't I?" "That is up to you." "I've got a choice?" "Oh yes." Dumbledore smiled at him. "We are in King's Cross, you say? I think that if you decided not to go back, you would be able to…let's say…board a train." "And where would it take me?" "On," said Dumbledore simply.
I care about being able to play. If you're playing with integrity in the music, then that's what matters. But it wasn't that great for me because it was kinda like going back into the old times without the guy.
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
If you're saying you're epically depressed in a song, you better be able to back it up. You better be able to talk about it in a smart way with someone who comes up to you after a show and is looking for help.
I think the gift of music is it's intuitive capability. I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process. Because it's intuitive, the truth has to be defined intuitively. It can't be preached, it can't be pushed. It's got to normally go across organically and make someone feel something, and that's the power of music.
There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.
I'm trying to bring back 'Top of the Pops.' I don't know why us artists haven't just stood there and said, 'Let's back a campaign and bring it back,' because it would be the most amazing thing ever. 'X Factor' has got the Sunday show, and except for 'Later with Jools Holland,' which is a massive success, there isn't one music show.
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