A Quote by Freddie Highmore
It seemed really easy waving your hands around, it wouldn't make any difference if you were moving it left or right, but I wanted to do it realistically. I think you can tell if someone doesn't know what they're doing.
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Not really, definitely not from any outside sources. If there was any pressure it was just from ourselves. We just wanted to make sure that what we were doing was right. But, you know, when you're dealing with any kind of art, I think pressure really doesn't help at all. All you can do is give what comes out of you - and that's what we did.
It was very easy to kind of, kinda shut off and just, just kinda go crazy and just kinda dive into this or that. You never really take a minute to look around, you know take stock and see where you're at and make sure you're doing things for the right reasons and make sure that you remember to call that person who's really important to you and you know, tell them what's on your mind, and be honest with yourself.
In this country, it doesn't make any difference where you were born. It doesn't make any difference who your parents were. It doesn't make any difference if, like me, you couldn't even speak English until you were in your twenties.
Know your job and don't fake it. It looks easy, but the ones that make it look easy know what the hell they're doing. They may tell you around the dining room table that you're funny and you should be an actor, but until you challenge yourself by getting on a stage or in front of a camera, that's when your knowledge of the craft separates you from the pretenders.
The other puppeteers are really good, often when they are singing together, they go left, right, left... But if they are all moving to the left, I'm moving to the right. Big Bird and Oscar, that's okay, because they are individuals anyway.
Will you believe me when I tell you there was kindness in his heart? His left hand didn't know what his right hand was doing. It was only that certain important connections had been burned through. If I opened up your head and ran a hot soldering iron around in your brain, I might turn you into someone like that.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.
Yet, when we talked, when we were together, she seemed so familiar. Seemed to know who I was, where I was coming from. She knew me better than I knew myself, I think. She was easy to be with. And I wanted to be with her, like all the time.
In a foreign country it is far from easy to study a scene at length when you know that at any minute someone may appear and ask what you are doing and that you can't answer, and you haven't many references, and you don't know the law. Neither is it easy to find and know the subjects for portraits or comfortable to make such picture when you cannot apply an anesthesia of small talk.
If you are going towards the easy, the ego starts dying. And when there is no ego left, you have arrived to your reality - the right, the truth. And truth and right have to be natural. Easy means natural; you can find them without any effort. Easy is right means natural is right, effortlessness is right, egolessness is right.
"Cammie!" I'll never forget the tone of Macey's voice in that moment. "Cam," she said slowly, moving toward me, "I know how it feels to be watched every second of every day. I know what it's like to trust fewer and fewer people until it seems like you are completely alone in the world. I know you think the only things that are left in your life are the bad things. I know what you're feeling, Cam." Her hands were on my shoulders. Her blue eyes were staring into mine. "I know."
If you leave home and, at least some of the time, someone doesn't tell you that they don't like your outfit, you're not doing it right. You're not trying. You're not taking enough risks. You know, somebody should tell you they don't really like you're outfit. I enjoy when people say that, actually.
I wasn’t ready to think about the other yet: that it wasn’t that I wasn’t right for Macon, but that maybe he wasn’t right for me. There was a difference. Even for someone who things didn’t come easy for, someone like me.
When your move with your left hand can be just as potent as your right hand, I think that's pretty special. I think that's why Kyrie's the best, because he finishes so well around the rim with his left or right.
I look at Anderson Silva and he can fight moving forward, he can fight moving backward, and he can fight moving left or right. It's something that I don't think anyone else in the sport other than Chuck Liddell has really been able to do.
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