A Quote by Freddie Hubbard
I had heard Ornette a couple of times, but I didn't really know where he was coming from until we started the record and it was beautiful, Fred. It opened up my mind.
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This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
She had died peacefully, in her sleep, after an evening of listening to all of her favorite Fred Astaire songs, one crackling record after another. Once the last chord of the last piece had died out, she had stood up and opened the French doors to the garden outside, perhaps waiting to breathe in the honeysuckle one more time.
When I first came in the business, I had a couple of close calls on planes going to London for shows. There was one time where the plane had to fly around until a storm ended, and then we started having a question about fuel, so we had to go through the storm. It was the worst thing that ever happened in my life. That really messed me up.
I mean, they were getting the mortgage of some guy in Omaha, you know, securitized a couple of times. I mean he had all these - they had all these types from Wall Street, you know, and they had advanced degrees, and they look very alert, and they came with these - they came with these things that said gamma and alpha and sigma and all that. And all I can say is beware of geeks, you know, bearing formulas. They've heard that in Europe.
There were a couple of times where I shot things, or started off in one mode and thought, "Well, I really didn't want to do that." I would just change my mind. And frankly, I don't think anybody really cared. I didn't have some producer that had given me $10 million, demanding results. I could just kind of do whatever I thought was right, and move in that way.
I had never heard of staph until I got it. Didn't really know what was. Still don't really know what it is, but I know you just don't want to have it.
It wasn't until I got out of the Army and I heard Coltrane's record 'Coltrane,' when he was doing 'Inch Worm' and 'Out of This World,' that I thought, 'Oh my God, you can do that?' And then I thought, 'OK, I better go back and listen to Eric Dolphy a bit.' And then I said, 'Hmm, I better pull out these Ornette Coleman records.'
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
I never heard anything so brilliant in my life as I did that first time I heard Ornette. He played like some revolutionary angel. Soon, we were rehearsing in his place, music scattered everywhere, and he was telling me to play outside the chord changes, which was exactly what I had been wanting to do. Now I had permission.
I had no desire to become a singer until I heard Billie Holiday. The first time I heard her on a record, it was a revelation. She sounded like a woman singing about herself.
About six months ago, I listened to Siamese Dream. That was the first time I'd ever really heard my own album, because I had separated from the experience of making the record. And it really moved me. It made me cry, it's so beautiful.
I first heard Trouble in 2008. At that time I was on my grind, trying to work with all the next-up artists. I had sent him a couple beats; he had done a couple songs. We was always around the same age.
I didn't know how interested I was in performing until I did 'Darkplace.' I hadn't done anything really up until that point. I didn't mind the cameras, and I didn't know that I would enjoy it.
I don't think that much anymore in terms of 'write a record, record a record, tour a record,' because in my own mind, things have changed, in that I'm just an ongoing artist. I'm not quite sure what the next project needs to be until it presents himself, and then I know. I just follow dutifully while I'm being led.
Not far from the meeting's venue, at one of the famed Observatory Club tea meetings, Fred once started a talk by saying, 'Oh, Ooh, basically a star is a pretty simple thing.' And from the back of the room was heard the voice of R. O. Redman, saying, 'Well, Fred, you'd look pretty simple too, from ten parsecs!
I was about 14 when I became a Christian. I had been going to youth group, and I'd heard the Gospel preached, and then suddenly it all started to click. God opened my eyes to see Jesus for who He really was. After I trusted Christ, the Lord changed my entire perspective on everything.
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