A Quote by Freddie Ljungberg

I had hip surgery in America because I'd had problems during my last two years in Europe. They said out there that my hip was broken and I didn't know about it. — © Freddie Ljungberg
I had hip surgery in America because I'd had problems during my last two years in Europe. They said out there that my hip was broken and I didn't know about it.
They had to re-shape the head of my femur back round. They had to trim my hip socket up a little bit. I had a lot of extra bone growth just from years of stressing it out. Because of that bone growth, it caused an impingement in my hip, which tore my labrum off the bone.
My mother's records were formative for me, but when I became a teenager, I wanted to find songs that she wasn't hip to. She was so hip, though, that I had to go outside rock n' roll - so for about 10 years, I only listened to hip-hop, house and techno.
There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.
I can admit there are some problems in hip hop but it is only a reflection of what's taking place in our society. Hip hop is sick because America is sick.
I think one of the reasons I've had success in hip-hop is that I can bring out vulnerability in people who are generally seen as tough guys. To me, when a hip-hop musician always plays tough, I find it annoying because I know they're not really like that - there's something deeper and vulnerable. There has to be, because they're human beings.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
We needed time off from each other after our last tour because there was a lot of personal stuff we had to take care of. Eddie needed hip replacement surgery. Al needed his back worked on. And I was going to have a baby.
America and Europe are getting closer to each other. In the U.S. you've always had hip - hop, the blues, soul, and rock. For the last decade, there has always been a lot of electronic music in Europe. When I was just at Coachella, I noticed how the music they play there has become electronic, techno, deep house, more European - so I think it's more similar than before.
Over the years, I've had two ankle operations, torn my hamstring, had my hip resurfaced, and snapped the anterior cruciate ligament in my knee.
I've never had surgery. I don't drink. I don't go out. My shoulders, back, legs, hip, they're all fine. I think I bring a lot to a team.
Hip-Hop is diverse. But the white, capitalist producers and distributors of Hip-Hop are most interested in the Hip-Hip that is misogynist, that is Black-hating, that is pugilistic, that is to say all about fighting and war and killing and gangsterism.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
Somewhere down the line, the evil ones stole the legacy of hip hop and flipped it to a corporate type of hip hop. They decided to tell everybody 'Well, this is what hip hop is,' instead of coming back to the pioneers and getting the true definition of what hip hop is and what it was and what we been pushing for all these years.
I am often asked if, when I was secretary, I had problems with foreign men. That is not who I had problems with, because I arrived in a very large plane that said United States of America. I had more problems with the men in our own government.
I had danced with Janet Jackson and P. Diddy so I had done a bunch of hip hop. Really and truly my roots are in modern and ballet but, professionally, that's not really out there any more, unfortunately, so these artists aren't really having a lot of ballet dancers behind them so I had to learn hip hop really quick.
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