A Quote by Freddie Mercury

I think Queen songs are pure escapism, like going to see a good film. — © Freddie Mercury
I think Queen songs are pure escapism, like going to see a good film.
It's really fun to be in a film that's pure entertainment, that people want to go and see. I think, in the current climate, the state of things, people want escapism.
I remember when I was a kid and I used to go and see Queen play live. It was like there was Queen the album band, and then Queen the four dudes on stage playing the songs on stage, and it never lacked anything to me when it was just the four dudes playing the big songs.
Hats off to musicians who just want a pure escape. I have a lot of fondness for pure escapism. I don't feel like it's irresponsible, I think sometimes you really need to take a breather.
The new Bond film, will be a big, big hit, because every Bond film is an event. Fathers take their sons to it; probably grandfathers. It's been a long time, and I think that the success of Bond is because the audiences have never been cheated by the producers. They always spend every penny, put it on the screen, and then the things that people expect to see in a Bond film - big action scenes, glamorous ladies - it's pure escapism.
Born And Bred' is pure escapism, and where we film is one of the most beautiful places in the country.
All music is escapism for me, but I like the way that, on a good night, that sense of escapism can be shared.
The Ultimate Queen Celebration is a little bit different. I take liberties with the amount of songs in the set that aren't necessarily Queen songs. I take some freedoms with The Ultimate Queen Celebration that I can't really do with The Queen Extravaganza.
Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, "Let's find some songs now!" after we have a finished film.
I think we're definitely playing up to characters. We see ourselves as a pop band. I don't have a pseudonym because I don't really need one, because I've got a weird name, but everyone has a stage name, and it's about a certain amount of escapism, really. The songs are inspired by the personal, but because there are seven of us that work on the songs together, they end up becoming Pipettes songs, rather than about any one individual.
I wasn't actually going to see the original film [Lord of the Ring], because I didn't think it was possible that a film could represent the books appropriately. So I was protesting, and I wasn't going to see them. And then my family all took a jaunt together, the entire family, to see the movies, and were like, "What, you're just going to stay home?" So I saw the movies and was thoroughly impressed that Peter Jackson managed to make my vision of the book come to life, as well as my sister's and my father's, and my aunt's and my uncle's, everyone's.
I don't think we've ever known what the hell's going on when we do Tap shows. It's possible the audience are effectively getting to see more of the movie when we play. You know, they know the songs, so anything we do onstage, whether we're meaning to or not, is an extension of the film. Other than that, I wouldn't understand what's going on.
I think it's like the '60s - we're going to see another revolution in film where these new filmmakers stand up and take ownership of what film is and mould it into what they want.
I think there seems to be a need for escapism at the moment. Maybe that's the type of world we're living in. It's a sanctuary, in a way, where you can immerse yourself in something that doesn't exist, whether that's TV shows or comic books or novels. it's not solely down to magic and vampires - that's in at the moment. but escapism, being a part of other worlds, is very good for you.
I think film is about images. Cinema needs good images. I think that if you don’t have good images, it’s not going to be a good film. I think all films should be really visual.
I've written hundreds of songs, and I tend to think that my instincts are pretty good when it comes to what people are going to like and what people aren't going to like.
I think the one that's going to be the hardest to make into a film is the one that's probably going to be made into a film, which is 'The Art of Racing in the Rain.' I mean, it's narrated by a dog. How do you do that? But hopefully we'll get to see.
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