A Quote by Freddie Mercury

A concert is not a live rendition of our album. It's a theatrical event. — © Freddie Mercury
A concert is not a live rendition of our album. It's a theatrical event.
A concert is not a live rendition of our album. It's a theatrical event. I have fun with my clothes onstage; it's not a concert you're seeing, it's a fashion show.
A concert is not a live rendition of our album. It's a theatrica! event.
A concert is a concert is a concert is a concert. An album is an album is an album is an album. Musically, both have nothing in common.
It's a blast to watch. It's a lot more interesting live than it is on record. I mean, it really is a theatrical event. It's a sporting event! Cause you never know what's gonna happen.
A bad rendition of you is better than a good rendition of somebody else.
Comedy is a live art, and the only way to record a comedy rock album is to do it live. The audience and their laughter is just as much a part of the album sound as our music. No retakes, no room for error.
If you lock me in the room with a piano teacher for a year I might be able to knock out a rendition of 'Roll Out The Barrel,' but will I ever be a concert pianist? No.
Any UFC fan has got to experience a live event at least one time. The energy and the production value is incredible. The experience is like being at a rock concert.
The whole point of an album is to understand the artist and enjoy the music - it's supposed to make you want to go to a concert to see them in the flesh and get the album on vinyl and be a part of everything. That's what I'm about.
This is not remarkable, for, as we know, reality is not a function of the event as event, but of the relationship of that event to past, and future, events. We seem here to have a paradox: that the reality of an event, which is not real in itself, arises from the other events which, likewise, in themselves are not real. But this only affirms what we must affirm: that direction is all. And only as we realize this do we live, for our own identity is dependent upon this principal.
For all three of us, the Caracalla concert was a major event in our lives. I hope I am not immodest to think it was also unforgettable for most of the people who were present.
I am not against songs in films. We come from an oral tradition of storytelling. I have grown up listening to epics in oral rendition and oral rendition always had music.
I had no idea 'The Dream Weaver' would be so successful. Everything just fell into place with that album. I pioneered a number of ideas with that album and subsequent tour. The all-keyboard approach with no guitars was a new one, and I was one of the first to use a drum machine in concert. It was an amazing time.
When in our minds we pre-live our marriage, we help to determine the kind of person that we would like to be when that event arrives. As we pre-live our success, we develop the abilities necessary to bring it about. And with the information and direction given us in the Holy Scriptures we can even pre-live that important period that lies beyond the boundaries of this life.
I was truly thrilled when Alex-Zsolt played for my tribute concert titled, 'A Tribute to Richard M. Sherman.' This special concert event was held at Disney's Historic El Capitan Theatre in Hollywood, CA. Alex was great and he played my songs very musically and in supercalifragilisticexpialidocious style!
When I was singing "King of the Mountain," it was a pivotal point in the show. That's the song that took us from this concert setting of individual songs into the theatrical narrative piece.
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