A Quote by Freddy Adu

My only real job is to play well and do my job on the field. If I do that, all the other stuff will take care of itself. — © Freddy Adu
My only real job is to play well and do my job on the field. If I do that, all the other stuff will take care of itself.
If you play well on the field, everything will take care of itself.
If I come to work every day and do my job, work as hard as I can, be a great teammate, the rest of that stuff will take care of itself.
My job is the same if I'm making a new musical or making a play for sixty-five people or doing a live television broadcast. The job is to take care of the actor; the job is to create an environment where they can excel and try to access all their attributes.
You take care of business on the field; everything will take care of itself off the field.
I truly believe my job starts the minute I leave the baseball field. Going out and catching ground balls and hitting, that's a job, and that's what I've wanted to do ever since I was a kid. But when you think about leaving that field, that's when the job and the demands really start. In New York, Seattle, every city. The community, the media, business stuff. You have to stay on a narrow path.
I just feel like it's my job to take care of my body. I play a contact sport, 99.9 percent injury rate. As far as being injury-prone or getting hurt, it's going to happen. But it's my job to take care of my body, come week in and week out.
It's much more fun as an actor, as well. If everything is on the page and you're spoon-feeding an audience you feel like your job is merely to say the words clearly because the structure of the story will take care of itself.
I think if we do our job, on the field and off of it, blackouts will take care of themselves, and we won't even be talking about if it's right or if it's wrong.
If you do a good job right now, today, then tomorrow will take care of itself. That's all you can do.
My first job ever real job in the field was as an airborne traffic reporter and producer in Los Angeles, but I was laid off pretty quickly - which was totally fair, because I'm terrible with directions, and that's kind of the whole job.
To me, if you're lucky enough to make stuff that people will pay money for, do a good job. Really do a good job. Especially if you're talking about real stuff, like terror atrocities and human rights abuses and pencil-sharpening techniques.
I have three children to take care; I have a wife. My job is to take care of them, and I can say it's a pretty cool job to have.
I don't believe any artist who says, 'I had to do that because DJs will tell me I can't play that music. I will lose my job.' Well, lose the job and create a new job. If your label won't let you have the cover you want or sing the songs you want, then leave!
My advice to anyone would be to focus on your current job and be the best at it. The rest will take care of itself.
I view it as a real competition. We're in a business where, you know what, there's no babies here. You go out, win the job and take it. I've been told by management, for the most part, that we're going to play the best people. Obviously, you've got to consider stuff like contracts - that's a reality of the game. But still, when it gets down to it, we're going to try and pick the guy that deserves to win the job.
Economics works great for planning your life when you don't have a work passion, since we tend to assume that your job delivers only money and you trade off job hours with leisure hours. If you think your job will just be a job, pick one that pays well per hour and leaves you some time off, even if the activity of the job is boring.
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