A Quote by Frederic Chopin
A strange adventure befell me while I was playing my Sonata in B flat minor before some English friends. I had played the Allegro and the Scherzo more or less correctly. I was about to attack the March when suddenly I saw arising from the body of my piano those cursed creatures which had appeared to me one lugubrious night at the Chartreuse. I had to leave for one instant to pull myself together after which I continued without saying anything.
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In March I had a minor heart attack while I was vacationing in Australia. it scared me, but it was nothing compared to what someone had in store for me down the road.
In the first day of my youth I tried to find it in the creatures, as I saw others do: but the more I sought, the less I found it, and the nearer I went to it, the further off it was. For of every image that appeared to me, before I had fully tested it, or abandoned myself to peace in it, and inner voice said to me: 'This is not what thou seekest.
When I myself had twice or thrice made a resolute resistance unto anger, the like befell me that did the Thebans; who, having once foiled the Lacedaemonians (who before that time had held themselves invincible), never after lost so much as one battle which they fought against them.
When I read a story, I relive the moment from which it sprang. A scene burned itself into me, a building magnetized me, a mood orseason of Nature's penetrated me, history suddenly appeared to me in some tiny act, or a face had begun to haunt me before I glanced at it.
It was as if the demise of the owner had lent the flat a physical void it hadn't had before. At the same time he had the feeling that he wasn't alone. Harry believed in the existence of the soul. Not that he was particularly religious as such, but it was one thing which always struck him when he saw a dead body: the body was bereft of something...the creature had gone, the light had gone,there was not the illusory afterglow that long-since burned-out stars have. The body was missing its soul and it was the absence of the soul that made Harry believe.
At the beginning, it is all about fun. I had a lot of fun. But then, when I was 10 years old, more or less, I had a coach who said that I had a strange running style. I was about to leave... I had a decision to take: if I leave or if I stay, but as a goalkeeper.
There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City - the intuition that I had been there already.
As to the pretty girls who went past, from the day on which I had first known that their cheeks could be kissed, I had become curious about their souls. And the Universe had appeared to me more interesting.
I had toward the poetic art a peculiar relation which was only practical after I had cherished in my mind for a long time a subject which possessed me, a model which inspired me, a predecessor who attracted me, until at length, after I had molded it
In those days I had various strong inclinations, for wine, gambling and cockfighting, and the society of gypsies, together with a passion for theological discussion which I had inherited from my father himself-all of which my father thought I had better rid myself of before I married.
Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor, even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
I had diverged, digressed, wandered, and become wild. I didn't embrace the word as my new name because it defined negative aspects of my circumstances or life, but because even in my darkest days—those very days in which I was naming myself—I saw the power of the darkness. Saw that, in fact, I had strayed and that I was a stray and that from the wild places my straying had brought me, I knew things I couldn't have known before.
The first dramatic experience I had of music was when I was five. The electricity had gone out in Georgia, and my mum played the 'Moonlight Sonata' on the piano.
It is a mistake to confound strangeness with mystery. The most commonplace crime is often the most mysterious because it presents no new or special features from which deductions may be drawn. This murder would have been infinitely more difficult to unravel had the body of the victim been simply found lying in the roadway without any of those outré and sensational accompaniments which have rendered it remarkable. These strange details, far from making the case more difficult, have really had the effect of making it less so.
When I was able to get home it first hit me that you had left and I couldn't do anything about it. Every day before that an evening with you was waiting for me after school, now no more, strange feeling. I had grown too accustomed to your warmth. That is also a danger. At home I looked at the notebooks that you had bought and I got the stupidest surge of hope that I'd find something of you, something especially for meant for me. I would so much like to have something of you that I could always keep by me, that nobody else would notice.
For two days I had the company of a girl. She appeared next to me. It was no less of a miracle if it was my imagination which had summoned her up, because it happened at the very moment I had broken down and given up.
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