A Quote by Frederic Chopin
Among the numerous pleasures of Vienna the hotel evenings are famous. During supper Strauss or Lanner play waltzes...After every waltz they get huge applause; and if they play a Quodlibet, or jumble of opera, song and dance, the hearers are so overjoyed that they don't know what to do with themselves. It shows the corrupt taste of the Viennese public.
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Here, waltzes are called works! And Strauss and Lanner, who play them for dancing, are called Kapellmeistern. This does not mean that everyone thinks like that; indeed, nearly everyone laughs about it; but only waltzes get printed.
You cannot imagine the wild enthusiasm that these two men created in Vienna. Newspapers went into raptures over each new waltz, and innumerable articles appeared about Lanner and Strauss.
My small experience on 'Dancing with the Stars' allowed me to slowly appreciate the Waltz and Viennese Waltz, but to see it in Vienna is something much different.
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
With the waltz, especially the Viennese Waltz, it looks so beautiful and effortless and flows.
I was singing a lot of waltzes. And I was with Jerry Kennedy, my producer, and he was playing me some songs, and he said, hey, I want to play you this song that I'm going to get Jackie Ward to record.
Yeah. I'm amateurish. I can play enough to write a song, or strum on a little guitar to write out a song. But, I don't play well at all. I wouldn't even attempt for a second to play in public.
As a player that has played this game, I know, at the end of the day I've had numerous amount of surgeries, and the doctors released me at numerous amount of times to go and play. But a lot of those times didn't mean go and play against the best in the world right now, but to get yourself ready to compete again.
All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.
Listen to the Beatles' 'Things We Said Today.' Ringo Starr does not play a fill in the entire song. It doesn't need it. 'A Day In the Life' has gorgeous fills, but there, the song needs it. When I play on any record, I'm striving to get where Ringo is. You play what doesn't take you out of the song.
I love Viennese waltzes and polkas, and especially ceilidhs and old-fashioned formation dancing.
[Eva Braun] also stayed with [Adolf Hitler] at the Hotel Imperial in Vienna, the Hotel Dreesen in Bad Godesberg and a few other places. I was never with her in these places, though my mother was there in Vienna.
The smartest thing I've done for my kids is writing a song about a holiday. Every year after that, even after I'm gone, they'll get a small check from the play it gets around the Fourth.
It's not easy to play your best for 40 weeks. It happens every year, I don't play well in Rome or Hamburg -- I don't know why -- but then I play well after that.
I don't play for myself. I play for my teammates and play for the people that helped me get to where I am. I know they're watching me every week, and I want to play for them. It's just in my heart, and that's who I am.
It's of course important to mention that when DJing, I'm building my own story through the music. I'm figuring out what song to play next, what song to play after that, and how the two will blend together. How the emotion is going to develop from one song to another. So I first build that storyline.
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