A Quote by Frederic Chopin

Yesterday's concert was a success. I hasten to let you know. I inform your Lordship that I was not a bit nervous and played as I play when I am alone. It went well... and I had to come back and bow four times.
I had a jazz trio, a rock n' roll band, and I played drums in junior high, high school, college, big bands, and I played timpani in the symphony. I am a drummer. It's the one instrument I actually play pretty well. It's just hard to carry on your back.
Well, John Doherty's playing was very unique. He bowed a lot and used staccato, while I slur a bit. I bow a lot as well, but I do a bit of playing a few notes with the one bow. As you go south there's more slurring with the bow. As you go north there's more bowing every note. But sometimes you get the combination of the two in Donegal.
I've been nervous a number of times. Your first start. Playing in the Super Bowl. Your first Super Bowl. Very nerve-racking. The one thing that you can always fall back on is that you know what you are doing. You know how to play the game.
Now I'm fortunate to have a good band in CA, and play many solo gigs as well. My point is that I stopped playing in bands and played solo for four years, to get back into the groove and pulse of writing and singing and who I am on stage.
You look at a Pete Rose to be the terrific athlete he is and then he falls on hard times, but when he played the game, I got something from the way he played the game because he hustled every play, and just because he had one mistake in his life, am I supposed to throw back everything that I gained from him?
I think I played in Lambeau maybe 14, 15 times. I've played there a lot of times. It's in the teens, double digit. I've had success on that field, won and lost.
I'm coming back to what you said about seeing and listening and hearing. I had to think of a remark that I heard yesterday, somebody came and said ' I saw you concert' Can we change the usage of, of this phrase please? And I hope that some of the people in our concert tonight will listen and even hear what we are doing!
I get a bit nervous because I just want the show to go well. I think you always have to be a little bit nervous, or else you're a little checked-out, and that's maybe the time when you're not doing your best stuff, because you're kind of just checked-out and falling back on stuff.
I go to restaurants and the groups always play "Yesterday." I even signed a guy's violin in Spain after he played us "Yesterday." He couldn't understand that I didn't write the song. But I guess he couldn't have gone from table to table playing "I Am The Walrus.
I was in Chicago in 1994 and at this time I had no thoughts of coming back and playing the game of basketball, Bryon Russell came over to me and said, "Why'd you quit? You know I could guard you." When I did come back in 1995 and we played Utah in '96, I'm at the center circle and Bryon Russell is standing next to me. I said, "You remember what you said in 1994 about, 'I think I can guard you, I can shut you down, I would love to play against you?' Well, you're about to get your chance.
After conducting a concert in a small town, I once received the following note from a farmer who had attended the performance: "Dear Sir, I wish to inform you that the man who played the long thing you pull in and out only did so during the brief periods you were looking at him."
That's why basketball was so good, because I didn't really need you or anyone else to play it. It would be better if we played four-on-four or five-on-five, but I could go out there alone.
I had people come up from NXT and say to me, 'one thing we know is that we hear you're a bully,' I say that I am because I know that I am going to be bullied back at some point so I might as well start it.
I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is - oh dear! I shall never get to twenty at that rate!
Bill Phillips was this nervous, chain-smoking student. He had signed up to be an engineer, he had gone away to fight in the Second World War, he had come back. He had switched to sociology because he wanted to understand how people could do these terrible things to each other. And he did a little bit of economics on the side.
I had a very strange career. I mean I went from playing to 150,000 people in 1983/84. Three or four years later I was playing to four people, you know, in Melbourne. I thought - bit strange, you know bit odd, bit erratic.
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