A Quote by Frederic Raphael
I could do without sex. Don't really like it that much. If I could just feel complete.
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I know I can do so much more than this, I know that I could be a life force, could love with a heart full of soul, could feel with the power that flies men to the moon. I know that if I could just get out from under this depression, there is so much I could do besides cry in front of the TV on a Saturday night.
Interestingly enough, for me, a character like Captain Jack, you feel like you could just continue. The possibilities are endless and limitless. There is any possibility of madness and absurdity that could commence, so you feel that, with this character, you're never really done.
In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
I could have a one-night stand, and I'm the kind of girl who looks over in the morning and is like, Do you really have to be here? I don't need to cuddle and do all that stuff because I know what it is and I don't try to make it more. I feel like a lot of women try to make it into more, so they don't feel so bad about just wanting to have sex.
When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.
But he could not taste, he could not feel. In the teashop among the tables and the chattering waiters the appalling fear came over him- he could not feel. He could reason; he could read, Dante for example, quite easily…he could add up his bill; his brain was perfect; it must be the fault of the world then- that he could not feel.
Much as I like owning a Rolls-Royce, I could do without it. What I could not do without is a typewriter, a supply of yellow second sheets and the time to put them to good use.
Imaginary testing is unreliable, and in many cases, it's a huge waste of time and energy. In truth you just don't know what will happen until you try. You may start a business, and it could take off in ways no one could predict. Or it could be a complete failure. You could ask for a date and end up with the partner of your dreams. Or you could be rejected cold. It's great to visualize what you want, but you never really know what's going to happen until you act.
I feel like people think of me as someone who really believes in a "sex as empowerment" philosophy, like Sasha Grey or something, when actually I feel like I'm much more what a lot of liberal feminists would call "sex negative" than most women I know.
I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.
He was someone whom everyone admired and liked but whom nobody knew. He was like a book that you could feel good holding, that you could talk about without ever having read, that you could recommend.
I just think structure can make a book feel so much bigger. It's the architecture. You could use flimsy materials if you wanted to, even, but it could still feel big.
Say you're a sex worker and your partner knows you're a sex worker, but you're not out to your family. That could be very dangerous, particularly in an unhealthy relationship, where it could be a recipe for conflict, for something potentially violent that could lead to someone going to jail. There's so much pressure because of the criminalization and stigma. If we lifted that, it's only going to benefit more women.
Jimi Hendrix was just so fluid. His hands were connected to his soul, you know? His playing was just so emotional. You could feel the fire, you could feel the blues. You could feel the sadness. It's unbelievable.
I don’t really get shaken very much. People could heckle me, a spotlight could go out, I could forget a lyric... I’m not operating on somebody’s brain, you know what I mean? So I just think it’s all funny.
I don't really get shaken very much. People could heckle me, a spotlight could go out, I could forget a lyric... I'm not operating on somebody's brain, you know what I mean? So I just think it's all funny.
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