A Quote by Frederic Raphael
The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.
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The great Master Gardener, the Father of our Lord Jesus Christ, in a wonderful providence, with his own hand, planted me here, where by his grace, in this part of his vineyard, I grow; and here I will abide till the great Master of the vineyard think fit to transplant me.
The fact that labour is external to the worker, i.e., it does not belong to his intrinsic nature; that in his work, therefore he does not affirm himself but denies himself, does not feel content but unhappy, does not develop freely his physical and mental energy but mortifies his body and his mind. The worker therefore only feels himself outside his work, and in his work feels outside himself.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
Man — despite his artistic pretensions, his sophistication, and his many accomplishments — owes his existence to a six inch layer of topsoil and the fact that it rains.
A real fox calls sour not only those grapes that he cannot reach but also those that he has reached and taken away from others.
The moral duty of the free writer is to begin his work at home: to be a critic of his own community, his own country, his own government, his own culture. The more freedom the writer possesses, the greater the moral obligation to play the role of critic.
He that floats lazily down the stream, in pursuit of something borne along by the same current, will find himself indeed moved forward; but unless he lays his hand to the oar, and increases his speed by his own labour, must be always at the same distance from that which he is following.
Woody Allen is a genius. His films are wonderful. He's poetic, but he's also a critic. He artfully steps back from a social setting and criticizes it without - I suspect - without letting himself be vulnerable to it.
A gentleman can always be told by the way he speaks to those that he thinks are his inferiors in some respect. His equals he does not wish to offend, his superiors he does not dare to offend, and of those whom he considers his inferiors he would be all the more considerate.
Whatever a man depends upon, whatever rules his mind, whatever governs his affections, whatever is the chief object of his delight, is his god.
Criticism is a study by which men grow important and formidable at very small expense. The power of invention has been conferred by nature upon few, and the labour of learning those sciences which may, by mere labour, be obtained, is too great to be willingly endured; but every man can exert some judgment as he has upon the works of others; and he whom nature has made weak, and idleness keeps ignorant, may yet support his vanity by the name of critic.
The sincere artist is usually his own best critic, but continuous and prolonged work on one painting will sometimes dull his judgment... The critic is in demand, but he must be competent.
The critic is genius at one remove; he is not unlike an actor on the stage, and incarnates in his mind, as the actor embodies in his person, another's work; only thus does he understand art, realize it, know it; and having arrived at this, his task is done.
I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
I don't want awards. I am not saying this like it's a case of sour grapes. It isn't. I have been to a couple of award functions, and I soon realised that it doesn't give me the kick that it does to others.
Socrates and Plato are right: whatever man does he always does well, that is, he does that which seems to him good (useful) according to the degree of his intellect, the particular standard of his reasonableness.
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