A Quote by Frederick Buechner

The trouble with really seeing and really hearing is that then we really have to do something about what we have seen and heard. — © Frederick Buechner
The trouble with really seeing and really hearing is that then we really have to do something about what we have seen and heard.
Your mind makes out the orange by seeing it, hearing it, touching it, smelling it, tasting it and thinking about it but without this mind, you call it, the orange would not be seen or heard or smelled or tasted or even mentally noticed, it's actually, that orange, depending on your mind to exist! Don't you see that? By itself it's a no-thing, it's really mental, it's seen only of your mind. In other words it's empty and awake.
If Donald Trump is just tweeting about a union guy, then he's just being the bully we have seen. But if he uses the power of the presidency to back up some of those tweets and he's really, really coming down with a hammer on people he doesn't like using the power of the presidency, then we're seeing something very new and very different.
What I really search for is something that I really love hearing, something that's my own private game: If I find a song I really like, I try to do a definitive version.
I have really seen the best in people and I've absolutely seen the worst in people. And I'm happy to say that most of the time I have been seeing the best of people in the first congressional district and connecting with voters and seeing what's important to them hearing their stories and what they want to see happen.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
I just want [my daughter Isabelle] to know that she's heard. Really heard, because I feel like that is what we all really want. When I think about any of the missteps in my life that I've made, all of which I'm grateful for, it's because I just so wanted to be truly seen and heard for who I am and was afraid I wasn't or wouldn't be. I see you, I hear you, I'm with you as you are.
Find something you really love doing and mix it with something you really care about. That's why I've had such longevity as an artist. I really, really care about ending violence against women, and I really, really love playing music. It's super enjoyable!
Seeing someone you know be good at something is really appealing. Seeing how Darren Aronofsky behaved on set, it was another aspect of him, the director. He'd never directed me at home in the kitchen before. It was just seeing a whole other aspect of someone. It was really, really exciting. I loved it.
Grateful that it brought me to a point of really seeing myself and really seeing where I was imbalanced, and really seeing it was a message from the Divine that changed my life.
Hearing is a subjective experience, but I never really understood that it's the same with seeing as well. I always thought that everything we see is the same for everyone. But having these more psychedelic experiences of being really, really sad made me realize how brittle reality can be.
In transmitting the dharma, there is neither explanation nor teaching; there is neighter hearing nor attainment. Since explanations never really explains, nor are they able to teach, why talk about it? Since listening isn't really hearing or attaining anything, then why listen? But say, since it cannot be explained or heard, how can you enter the Way? But down the bagagge, take of the blinders, and see for yourself that this very place is the valley of the endless spring, this very body is the body of the universe. At such a time, who is it who can accompany this?
I might ask about the first time a person heard a song that they really responded to, like when I asked Mos Def when he first "got" hip-hop and he went into this memory about how hearing someone rap really affected him. He wasn't simply remembering the event. It was almost like he was occupying that space again. When you can really transport an interview subject like that, your readers can feel it and it helps them to connect with the artist.
I have always been really scared of scary movies just because I live by myself - and then seeing something, then having a big imagination and then like thinking you see it in the middle of the night. So I've never been really into them.
I think YouTube has been super instrumental in our success as well, because I think there's something really important about seeing and hearing what we're doing.
You're going to be waiting a long time before you start seeing money from it. Just really sit with yourself and think "Why do I want to be a singer?" like really think it out and if you realize that you really need to stick with then then be really focused and have good intentions on why you're doing it and it will work out.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
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