A Quote by Frederick Buechner

My story is important not because it is mine, God knows, but because if I tell it anything like right, the chances are you will recognize that in many ways it is also yours. — © Frederick Buechner
My story is important not because it is mine, God knows, but because if I tell it anything like right, the chances are you will recognize that in many ways it is also yours.
My story is important not because it is mine, God knows, but because if I tell it anything like right, the chances are you will recognize that in many ways it is also yours… it is precisely through these stories in all their particularity, as I have long believed and often said, that God makes himself known to each of us more powerfully and personally. If this is true, it means that to lose track of our stories is to be profoundly impoverished not only humanly but also spiritually.
My God loves everybody, and if yours doesn't, that's your prerogative, but don't tell me how to live my life and don't tell my best friends that you're going to take away their rights. Because I will march you into the ground. I will argue you into the ground. I will petition you into the ground. I will not sleep, I will not stop, and neither will so many people in this country and in this world. It's not right.
Secrecy fuels erotic intensity because it makes you feel like you're doing something that is entirely yours. It gives you the sense of autonomy, the sense of freedom, and the sense of sovereignty. And then you add to that the sexual energy. In many affairs, people will tell you they slept with the person three or four times, but the story went on for months. That's an important thing because many people who have affairs often have very good sexual relationships at home. It's not necessarily a compensation story. But affairs offer a different sexuality with a different context.
But I keep going on with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it, as I will hear yours too if I ever get the chance, if I meet you or if you escape, in the future or in heaven or in prison or underground, some other place. What they have in common is that they're not here. By telling you anything at all I'm at least believing in you, I believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are.
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
Vera said: 'Why do you feel you have to turn everything into a story?' So I told her why: Because if I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me. Because if I tell the story, it doesn't hurt as much. Because if I tell the story, I can get on with it.
There are some books that refuse to be written. They stand their ground year after year and will not be persuaded. It isn't because the book is not there and worth being written -- it is only because the right form of the story does not present itself. There is only one right form for a story and if you fail to find that form the story will not tell itself.
You have all these things not because you deserve them, but because Jesus shed His blood and gave you the right to have them. All these blessings are yours today because God is for you! And if God is for you, who can be against you!
Is there a reason there's not a tampon dispenser in the West Wing basement?" And it was like, "No." Nobody had really just ever thought about putting it there. It's an important story to tell because, well, it was important to do because we needed them, but I think that it's more, like, you should always ask questions.
And it was different because I'd already lost her so many times, so many ways, in my head. And different because she was never really mine to lose. And different because this wasn't my fault.
What I love about Sonny's playing is that he is so inventive within the mainstream Jazz vernacular. Because he knows so many ways to deal with musical material, he is never repetitive and hasn't had to invent a new language. Also, he never asked me to do anything but swing!
I'm happy to have a physical part in 'High Tension,' in 'Hereafter,' and in a lot of French movies and Belgian movies. But its not by chance directors choose me for physical parts. I like to do that. I like to tell a story also with the body. It's important, because you can tell a lot of things.
I feel like I write so that people can think of it as theirs. If my song is exactly about your life right now, then it is - I don't even want to say that it's mine, because it's yours.
Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I'd hoped that he'd be eulogizing me.
But we are here, all of us. And we're here because I love you, more than the life that was mine. Because I believed you loved me the same way...will you tell me that's not true? No, he said after a moment, so softly I could barely hear him. His hand tightened harder on mine. No, I willna tell ye that. Not ever, Claire.
Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should.
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