A Quote by Frederick Buechner
It's not as if I knew answers which I am going to set down in the form of a novel or a memoir or a sermon. It's, rather, I'm going to search myself for what I might have to say in this area.
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I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
We might not be back. I might be in jail. I might be anywhere. But when I leave, you'll remember I said, with the last words on my lips, that I am a revolutionary. And you're going to have to keep on saying that. You're going to have to say that I am a proletariat; I am the people.
I just want people to finish the book and say, 'I was entertained.' When I set out to do it, I had no deal in place. I knew it would be tough. I read somewhere that John Steinbeck was turned down 22 times on his first novel. But I was just going to do it.
I wanted to project myself forward to age 80 and say, ‘OK, I’m looking back on my life. I want to minimise the number of regrets I have.’ And I knew that when I was 80, I was not going to regret having tried this. I was not going to regret trying to participate in this thing called the Internet that I thought was going to be a really big deal. I knew that if I failed, I wouldn’t regret that. But I knew the one thing I might regret is not ever having tried. I knew that that would haunt me every day.
By approaching my problems with "What might make things a little better?" rather than "What is the solution?" I avoid setting myself up for certain frustration. My experience has shown me that I am not going to solve anything in one stroke; at best I am only going to chip away at it.
When I came to Mumbai, I didn't know a soul. The only person I knew was an assistant director, which, everyone agrees, is the lowest form of life on the set. So, it was not a great contact to have. So, I knew from day one that I wasn't going to be launched opposite a superstar.
Everything that I write comes when it wants to, out of its own need and it dictates its form. I don't say, "I am going to write a novel."
I hope all of you are going to fill out your census form when it comes in the mail next month. If you don't return the form the area you live in might get less government money and you wouldn't want that to happen, would you.
The biggest adventure is to move into an area in which you are not an expert. Sometimes I joke that I am not interested in doing re-search, only search.
With the first novel, I had to tell myself, 'No one is ever going to read it, so you might as well just write it.' With the second, I was pretty sure someone was going to read it.
Going from memoir to fiction was fantastic. I had been afraid to move away from memoir; I'd written some novel drafts, but they weren't well received by my agent at the time, and it had been drilled into me that "memoir outsells fiction two to one" (not sure if that's true anymore, or if it ever was), so I felt like the only smart thing to do, professionally, was to keep mining my life for painful moments to recapitulate.
I've realized that with each novel I seem to set out a kind of puzzle for myself. And I am never sure in the process of writing a first draft how it's all going to turn out.
I just have to be myself. I'm not perfect, and I'm going to make mistakes; I might say the wrong thing. I have to be responsible to my community, and I feel like I am, but then I have to not be so hard on myself.
I used to have the Virgin music [stores], and I would go there and just go up the escalator and say to myself, 'I'm soaking in these last moments of anonymity.' I knew I was going to make it this far; I knew that this was going to happen
I knew all the time I was going to get through the war. It was completely irrational, a silly idea, but I was not going to lie down and get myself killed. I was going to get out of it.
If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
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