A Quote by Frederick Busch
I don't think the world is particularly responsive to - our world, the culture we are in, to art right now.
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I want studios to be financing director-driven, auteurist cinema, as they did in the '70s. I think it's starting to happen now. Plus, because of how our world has changed politically, I think audiences are demanding more realism. We need to have more stuff in our culture about what is really going on right now.
We live in secular world now, but most of our art and culture is rooted in religion.
And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.
Coal is the moral choice, particularly for the developing world... The model for the world right now should be Australia. Australia gets it. Scientifically they get it, politically they get it and particularly when it comes to the United Nations, they get it. They are pulling out of this, they are repealing their carbon tax and Canada seems to be intrigued by what Australia is doing.
The art world is now a slave of mass culture. We have a sound-bite culture and so we have sound-bite art. You look at it, you get it - it's as immediate and as superficial as that.
We both [with Jo Andres] think that it is really important to our culture that we support all kinds of music, all kinds of theatre and all kinds of art because you never know what moves people. We've always believed that there should be a strong voice outside the commercial world. Certainly, the commercial world has a huge place in our culture and we also support that - but, we also want to support the stuff that lives outside of that.
I always felt like an outsider to the music world in a certain way. There was so much less of an art culture in L.A. - and particularly in the South Bay.
The more horrible this world (as today, for instance), the more abstract our art, whereas a happy world brings forth an art of the here and now.
I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse. The art world is filled with vibrancy.
Art in the art world, and culture in general, are branches of the media, which produces our political and social thinking climate.
We've lost our sense of outrage, our anger, and our grief about what's going on in our culture right now, what's going on in our country, the atrocities that are being committed in our names around the world. They've gone missing; these feelings have gone missing.
For me right now I think being the world number one is a bigger deal than being the world champion because I think it shows better who plays the best chess. That sounds self-serving but I think it's also right.
We two remake our world by naming it / Together, knowing what words mean for us / And for the other for whom current coin / Is cold speech - but we say, the tree, the pool, / And see the fire in the air, the sun, our sun, / Anybody's sun, the world's sun, but here, now / Particularly our sun.
The world of celebrity that comes with the world of art is not particularly interesting to me.
Art is the heart's explosion on the world. Music. Dance. Poetry. Art on cars, on walls, on our skins. There is probably no more powerful force for change in this uncertain and crisis-ridden world than young people and their art. It is the consciousness of the world breaking away from the strangle grip of an archaic social order.
I was lucky enough to have had great success early on in life; to have had all the things the material world can offer. And yet, I realized that what I had actually neglected was the more spiritual side of myself, which has always been there. But it's easy for us in our culture to become consumed in a sense by materialism. Now materialism is fine. We live in a material world. I'm not saying that beautiful things don't enhance our lives. But, in our culture, we're never happy.
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