A Quote by Frederick Busch
The importance to the world of what we scribblers write is in doubt, I would think.
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It is truly excellent to have someone believe in you and your ability to write. But I think it is just as helpful to have people who don't believe in you, people who mock you, people who doubt you, people who enrage you. Fortunately, there is never a shortage of this type of person in the world ... write for yourself. Write for the story. And write, also, for all of the people who doubt you. Write for all those people who are not brave enough to do this grand and wondrous thing themselves. Let them motivate you.
Creative writing teachers should be purged until every last instructor who has uttered the words 'Write what you know' is confined to a labor camp. Please, talented scribblers, write what you don't. The blind guy with the funny little harp who composed The Iliad, how much combat do you think he saw?
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
If there were no falsehood in the world, there would be no doubt, if there were no doubt, there would be no inquiry; if no inquiry, no wisdom, no knowledge, no genius; and Fancy herself would lie muffled up in her robe, inactive, pale, and bloated.
There can be no doubt that the knowledge of logic is of considerable practical importance for everyone who desires to think and to infer correctly.
In the past, you would take the time to write a love letter and you would think about what you wanted to say and compose it in a certain way. Now, everything is so short. It has to be, because it is rushed, and therefore, in a way, it loses a little bit of its importance. But I think it is very important to take the time to say what you want to say.
Do you call it doubting to write down on a piece of paper that you doubt? If so, doubt has nothing to do with any serious business. But do not make believe; if pedantry has not eaten all the reality out of you, recognize, as you must, that there is much that you do not doubt, in the least. Now that which you do not at all doubt, you must and do regard as infallible, absolute truth.
Write a nonfiction book, and be prepared for the legion of readers who are going to doubt your fact. But write a novel, and get ready for the world to assume every word is true.
I have no doubt the Japanese leadership and most Japanese see the importance of a strong U.S.-Japan relationship. I certainly have no doubt that the American view is the same.
A cop told me, a long time ago, that there’s no substitute for knowing what you’re doing. Most of us scribblers do not. The ones that’re any good are aware of this. The rest write silly stuff. The trouble is this: The readers know it.
I think a lot of the people who write about me think that if they had to write fewer interviews then they would transcribe their life-story and it would be a big success. Or should be.
To doubt God is to doubt one's own conscience, and in consequence, it would be to doubt everything; and then what is life for?
I think if everyone would write down the funny stories from their own childhoods, the world would be a better place.
To doubt God is to doubt one's own conscience, and in consequence it would be to doubt everything.
If art could be absolutely verified as to importance in, say, the way gold can be judged for purity and weight, then it would of course be finished as mythic activity. Free of doubt, controversy, and the inexplicable fluctuation of reputation, art-making would bear the same relationship to creativity as cake mix does to baking.
We are so accustomed to the apparently rational nature of our world that we can scarcely imagine anything happening that cannot be explained by common sense. The primitive man confronted by a shock of this kind would not doubt his sanity; he would think of fetishes, spirits or gods
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