A Quote by Frederick C. Beiser
The romantics really did want to romanticise the world itself, and that meant re-creating the state, society and even nature so that it became a work of art.
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Oftentimes, my career as a model is based around glamour or creating a fantasy world. That in itself is not a bad thing, as I think art and inspiration has its place in society.
I liked that the work itself was something other than simply what you saw It meant you could have an art work which was that idea of an art work, and its formal components weren't important.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
When I close my eyes, my imagination roams free. In the same way I want to create spaces for video art that rethink the very nature of the medium itself. I want to discover new ways of configuring the world, both the world outside and the world within
Movement, change, light, growth and decay are the lifeblood of nature, the energies that I I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the earth as my source. Nature is in a state of change and that change is the key to understanding. I want my art to be sensitive and alert to changes in material, season and weather. Each work grows, stays, decays. Process and decay are implicit. Transience in my work reflects what I find in nature.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
In the work of art the truth of an entity has set itself to work. ‘To set’ means here: to bring to a stand. Some particular entity, a pair of peasant shoes, comes in the work to stand in the light of its being. The being of the being comes into the steadiness of its shining. The nature of art would then be this: the truth of being setting itself to work.
I knew that the world was a harsh place, and my family was a mess, and even though I danced as fast as I could, I did not feel welcome, did not feel the great Shalom. THIS WORLD WAS NEVER A GOOD MATCH FOR ME. But my belief was that there was a loving magical energy in the world - seen in Nature's beauty and awesomeness, my best girl and women friends, art, music.
I did not go to art school thinking that I was an artist; I went there mainly doing stage sets for bands. I considered my work more as an applied art for musicians, not as art in and for itself.
Even as a teenager we got interested in the Beats, Dada, and Surrealism, and so on. What drew us to those was that their lives were their art. It wasn't something they did separately. Reading biographies of artists of that kind was what was fascinating to me, more than the stuff they made. We became convinced that life and art is really the same thing.
If the society that we're talking about is a society that starts wars all over the world, degrades indigenous cultures, is misogynistic in itself, if that's the society we're talking about, then it's not a bad thing if hip-hop did degrade that society.
The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort.
When I started creating my work for publication, I just assumed that the focus would be on the work itself and that there wouldn't be a lot of interest in who was creating the work.
In Gnosticism, the physical world did not ultimately matter - which meant physical suffering did not matter either. Seeking 'enlightenment' meant cultivating an attitude of detachment, even indifference.
Instead of a bumbling and inefficient tool of society, the radical [libertarian] sees the State itself, in its very nature, as coercive, exploitative, parasitic, and hence profoundly antisocial. The State is, and always has been, the great single enemy of the human race, its liberty, happiness, and progress.
Our music is always a reflection of where we are in a society. That's what enables so many people to do what they do. So my advice is to work at your craft. Be the best you can be at your craft and do it sincerely. Even in the world we live in today, that will give you longevity. At the end of the day, I want the quality of my work to stand, not how much I did.
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